English literature -- History and criticism; Historiography; Literature
None the less, if we will have but a little patience, and bid our
occasional wonderment be still, and read Emerson at the right times and
in small quantities, we shall not remain strangers to his charm. He
bathes the universe in his thoughts. Nothing less than the Whole ever
contented Emerson. His was no parochial spirit. He cries out:
'From air and ocean bring me foods,
From all zones and altitudes.'
How beautiful, too, are some of his sentences! Here is a bit from his
essay on Shakspeare in _Representative Men_:
'It is the essence of poetry to spring like the rainbow daughter of
Wonder from the invisible, to abolish the past, and refuse all
history. Malone, Warburton, Dyce, and Collier have wasted their life.
The famed theatres have vainly assisted. Betterton, Garrick, Kemble,
Kean, and Macready dedicate their lives to his genius--him they crown,
elucidate, obey, and express--the genius knows them not. The
recitation begins, _one golden word leaps out immortal from all this
painful pedantry_, _and sweetly torments us with invitations to his
own inaccessible homes_.'
The words we have ventured to italicize seem to us to be of surpassing
beauty, and to express what many a play-goer of late years must often
have dimly felt.
Patience should indeed be the motto for any Emerson reader who is not by
nature 'author's kin.' For example, in the essay on _Character_, after
reading, 'Everything in nature is bipolar, or has a positive and negative
pole. There is a male and a female, a spirit and a fact, a north and a
south. Spirit is the positive, the event is the negative; will is the
north, action the south pole. Character may be ranked as having its
natural place in the north'--how easy to lay the book down and read no
more that day; but a moment's patience is amply rewarded, for but sixteen
lines farther on we may read as follows: 'We boast our emancipation from
many superstitions, but if we have broken any idols it is through a
transfer of the idolatry. What have I gained that I no longer immolate a
bull to Jove or to Neptune, or a mouse to Hecate; that I do not tremble
before the Eumenides or the Catholic Purgatory, or the Calvinistic
Judgment Day--if I quake at opinion, the public opinion as we call it, or
the threat of assault or contumely, or bad neighbours, or poverty, or
mutilation, or at the rumour of revolution or of wonder! If I quake,
what matters it what I quake at?' Well and truly did Carlyle write to
Emerson, 'You are a new era, my man, in your huge country.'
Public-domain text, read in full here on John Shaqi.
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