English literature -- History and criticism; Historiography; Literature
Literature is but the reflex of life, and the humour of it lies in the
portrayal of the individual, not the type; and though the young man in
_Locksley Hall_ no doubt observes that the 'individual withers,' we have
but to take down George Meredith's novels to find the fact is otherwise,
and that we have still one amongst us who takes notes, and against the
battery of whose quick wits even the costly raiment of Poole is no
protection. We are forced as we read to exclaim with Petruchio: 'Thou
hast hit it; come sit on me.' No doubt the task of the modern humorist
is not so easy as it was. The surface ore has been mostly picked up. In
order to win the precious metal you must now work with in-stroke and out-
stroke after the most approved methods. Sometimes one would enjoy it a
little more if we did not hear quite so distinctly the snorting of the
engine, and the groaning and the creaking of the gear as it painfully
winds up its prize: but what would you? Methods, no less than men, must
have the defects of their qualities.
If, therefore, it be the fact that our national comedy is in decline, we
must look for some other reasons for it than those suggested by Hazlitt
in 1817. When Mr. Chadband inquired, 'Why can we not fly, my friends?'
Mr. Snagsby ventured to observe, 'in a cheerful and rather knowing tone,
"No wings!"' but he was immediately frowned down by Mrs. Snagsby. We
lack courage to suggest that the somewhat heavy-footed movements of our
recent dramatists are in any way due to their not being provided with
those twin adjuncts indispensable for the genius who would soar.
CAMBRIDGE AND THE POETS.
Why all the English poets, with a barely decent number of exceptions,
have been Cambridge men, has always struck me, as did the abstinence of
the Greeks from malt Mr. Calverley, 'as extremely curious.' But in this
age of detail, one must, however reluctantly, submit to prove one's
facts, and I, therefore, propose to institute a 'Modest Inquiry' into
this subject. Imaginatively, I shall don proctorial robes, and armed
with a duster, saunter up and down the library, putting to each poet as I
meet him the once dreaded question, 'Sir, are you a member of this
University?'
But whilst I am arranging myself for this function, let me utilize the
time by making two preliminary observations--the first one being that, as
to-day is Sunday, only such free libraries are open as may happen to be
attached to public-houses, and I am consequently confined to my own poor
shelves, and must be forgiven even though I make some palpable omissions.
The second is that I exclude from my survey living authors. I must do
so; their very names would excite controversy about a subject which, when
wisely handled, admits of none.
Public-domain text, read in full here on John Shaqi.
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