English literature -- History and criticism; Historiography; Literature
These passages are, I think, adequate to give a fair view of Professor
Seeley's position. History is a science, to be written scientifically
and to be studied scientifically in conjunction with other studies. It
should pursue a practical object and be read with direct reference to
practical politics--using the latter word, no doubt, in an enlightened
sense. History is not a narrative of all sorts of facts--biographical,
moral, political--but of such facts as a scientific diagnosis has
ascertained to be historically interesting. In fine, history, if her
study is to be profitable and not a mere pastime, less exhausting than
skittles and cheaper than horse exercise, must be dominated by some
theory capable of verification by reference to certain ascertained facts
belonging to a particular class. Is this the right way of looking upon
history? The dictionaries tell us that history and story are the same
word, and are derived from a Greek source, signifying information
obtained by inquiry. The natural definition of history, therefore,
surely is the story of man upon earth, and the historian is he who tells
us any chapter or fragment of that story. All things that on earth do
dwell have, no doubt, their history as well as man; but when a member,
however humble, of the human race speaks of history without any
explanatory context, he may be presumed to be alluding to his own family
records, to the story of humanity during its passage across the earth's
surface.
'A talent for history'--I am quoting from an author whose style, let
those mock at it who may, will reveal him--'may be said to be born with
us as our chief inheritance. History has been written with
quipo-threads, with feather pictures, with wampum belts, still oftener
with earth-mounds and monumental stone-heaps, whether as pyramid or
cairn; for the Celt and the Copt, the red man as well as the white, lives
between two eternities, and warring against oblivion, he would fain unite
himself in clear, conscious relation, as in dim, unconscious relation he
is already united, with the whole future and the whole past.'
To keep the past alive for us is the pious function of the historian. Our
curiosity is endless, his the task of gratifying it. We want to know
what happened long ago. Performance of this task is only proximately
possible; but none the less it must be attempted, for the demand for it
is born afresh with every infant's cry. History is a pageant, and not a
philosophy.
Poets, no less than professors, occasionally say good things even in
prose, and the following oracular utterance of Shelley is not pure
nonsense:--'History is the cyclic poem written by Time upon the memories
of men. The past, like an inspired rhapsodist, fills the theatre of
everlasting generations with her harmony.'
Public-domain text, read in full here on John Shaqi.
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