Observations of an Orderly: Some Glimpses of Life and Work in an English War HospitalMuir, Ward
History
Observations of an Orderly: Some Glimpses of Life and Work in an English War Hospital
Muir, Ward
World War, 1914-1918 -- Hospitals
Explanations ensued. Bert, the young soldier, was a native of these
parts. He had emigrated to Canada five years previously. To-night, _en
route_ for the front, he had returned. Earlier in the evening there had
been ill-advised libations; he had started for his home, felt sleepy,
sheltered from the wet in a tunnel quite familiar to him, and there been
discovered by the ladies and roused by myself. Arrived at the
coffee-stall he had recognised in its proprietor a former pal and
another former pal in 'Arry the derelict. To throw the spoon at 'Arry
was merely his playful mode of announcing his identity.
I left the trio reviewing the past and exchanging news of the present.
My services, it was clear, would no longer be required by the prodigal.
He and his mates gave me a hearty good-night.
I did not guess how intimate was soon to be my association with the
Berts and 'Arries and 'Erbs of the world. I was to be their servant, to
wait upon them, to perform menial tasks for them, to wash them and dress
them and undress them, to carry them in my arms. I was to see them
suffer and to learn to respect their gameness, and the wry, "grousing"
humour which is their almost universal trait. In my own wards, and
elsewhere in the hospital, I came in close contact with many cockneys of
the slums. Even when one had not precisely "placed" a patient of this
description, the relatives who came to him on visiting days gave the
clue to the stock from which he sprang. The mother was sometimes a
"flower girl"; the sweetheart, with a very feathered hat, and hair which
evidently lived in curling pins except on great occasions, probably
worked in a factory. These people, if the patient were confined to bed,
sat beside him and talked in a subdued, throaty whisper. But I have seen
the same sort of patient, well enough to walk about, meet his folks on
visiting afternoons at the hospital gate. There is a crowd at the
hospital gate, passing in and going out; hosts of patients are waiting,
some in wheeled chairs and some seated on the iron fence which fringes
the drive. The reunions which occur at that gate are exceedingly public.
Our East Ender is perhaps accustomed to publicity; his slum does not
conceal its feelings--it quarrels, and makes love, without drawn blinds,
and privacy is not an essential of its ardours. Be that as it may, these
meetings at the hospital gate, which are not lacking in pathos, have
sometimes manifested a tear-compelling comicality when the actors in the
drama belonged to the class which produced Bert.
Public-domain text, read in full here on John Shaqi.
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