Observations of an Orderly: Some Glimpses of Life and Work in an English War HospitalMuir, Ward
History
Observations of an Orderly: Some Glimpses of Life and Work in an English War Hospital
Muir, Ward
World War, 1914-1918 -- Hospitals
Her retort had neither disconcerted nor offended him. He was a
philosopher--and, like so many of his kind, a laughing philosopher. When
he was sufficiently recovered from his operation to get about on
crutches he was the wag of the ward. He took a special delight in those
practical jokes which are invented by patients to tease the nurses, and
devoted the most painstaking ingenuity to their preparation. It was he
who found a small hole in the lath-and-plaster wall which separates the
ward from the ward's kitchen. Through this hole a length of cotton was
passed and tied to the handle of a mug on the kitchen shelf. At this
period, owing to the Zeppelin raids, only the barest minimum of light
was allowed, and the night nurse, when she entered the kitchen, went
into almost complete darkness. No sooner was she in the kitchen and
fumbling for what she required than a faint noise--that of the cup being
twitched by the cotton leading to the mischievous coster's bed--arose on
the shelf and convinced her that she was in the presence of a mouse. She
retreated, and perhaps if any convalescent patient had been awake she
would have enlisted his aid to expel the mouse; but in the ward the
patients were, as one man, snoring vociferously. It was this slightly
overdone snoring, at the finish, which gave birth to suspicions and
caused the trick to be detected.
The night nurses do not have a placid time of it if their patients
are at the stage of recovery when spirits begin to rise and
the early slumber-hour which the hospital rules prescribe is not
welcome. String-actuated knaveries, more or less similar to the
mouse-in-the-kitchen one, are always devised for the plaguing of a new
night nurse. Sometimes in the dead of night, when utter silence broods
over the ward, the gramophone will abruptly burst into raucous music:
its mechanism has been released by a contrivance which gives no clue to
the crime's perpetrator. The flustered nurse gropes her way down the
ward and stops the gramophone, every patient meanwhile sitting up in bed
and protesting against her cruelty in having awakened them by starting
it. Half an hour after the ward has quietened, the other gramophone
(some wards own two) whirrs off into impudent song: it also has been
primed. Nurse is wiser on future occasions: she stows the gramophones,
when she comes on duty, where no one can tamper with them. Even so, she
may have her nerves preyed upon by eerie tinklings, impossible to locate
in the darkness; these are caused by two knives, hung from a nail fixed
high up in the rafters. By jiggling a string, which is conducted over
another rafter and down the wall to his pillow, the patient makes the
knifeblades clash. Sometimes two strings, leading to different beds,
complete this instrument of torture. After a determined search, nurse
finds one string, and, having cut it, flatters herself that she has got
the better of her enemies. Not a bit of it. She has scarcely settled in
Public-domain text, read in full here on John Shaqi.
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