Observations on the Mussulmauns of India: Descriptive of Their Manners, Customs, Habits and Religious Opinions Made During a Twelve Years' Residence in Their Immediate SocietyMeer Hasan Ali, Mrs.
Islamic
Observations on the Mussulmauns of India: Descriptive of Their Manners, Customs, Habits and Religious Opinions Made During a Twelve Years' Residence in Their Immediate Society
Meer Hasan Ali, Mrs.
India -- Social life and customs; Muslims -- India
'The good woman of the house was in momentary expectation of her husband's
arrival, but when one hour had elapsed, her impatience overcame her
discretion, and she dispatched the slave a second time to summon the
moollah, who, in his anxiety to promote a better work, had forgotten the
subject of tying the naarah to the moosul. The slave again entered the
hall, and delivered her lady's message; he was then engaged in a fresh
exposition, and, as before, replied "coming", but still proceeding with
his subject as if he heard not the summons.
'Another hour elapsed, and the wife's ordinary patience was exhausted; "Go
to your master, slave!" she said with authority in her voice and manner;
"go ask your master from me, whether it is his intention to destroy the
peace of his house, and the happiness of his family. Ask him, why he
should delay performing so important a duty at this ceremony, when his own
daughter's interest and welfare are at stake?"
'The slave faithfully conveyed the message, and the moollah, finding that
his domestic peace depended on submitting to the superstitious notions of
his wife, accompanied the slave to the zeenahnah without further delay.
'The moollah's compliance with the absurd desires of his wife surprised
the students, who discussed the subject freely in his absence. He having
always taught them the folly of prejudice and the absurdity of
superstition, they could not, comprehend how it was the moollah had been
led to comply with a request so much at variance with the principles he
endeavoured to impress upon them.
Public-domain text, read in full here on John Shaqi.
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