But enough--I must hasten to finish my list of popular cries by the Indian pedlars, who roar out their merchandize and their calling to the inmates of dwellings bounded by high walls, whose principal views of the works of Nature and art are thus aided by those casual criers of the day. 'Artush-baajie'[37] (Fireworks).--Fireworks are considered here to be very well made, and the Native style much extolled by foreigners; every year they add some fresh novelty to their amusing pastime. They are hawked about at certain seasons, particularly at the Holie[38] (a festival of the Hindoos,) and the Shubh-burraat[39] of the Mussulmauns. Saltpetre being very reasonable, fireworks are sold for a small price. Most of the ingenious young men exercise their inventive powers to produce novelties in fireworks for any great season of rejoicing in their families. 'Chubbaynee'[40] (Parched corn).--The corn of which we have occasionally specimens in English gardens, known by the name of Indian corn, is here used as a sort of intermediate meal, particularly amongst the labouring classes, who cook but once a day, and that when the day's toil is over. This corn is placed in a sort of furnace with sand, and kept constantly moved about. By this process it is rendered as white as magnesia, crisp, and of a sweet flavour; a hungry man could not eat more than half-a-pound of this corn at once, yet it is not as nutritious as barley or wheat. I have never heard that the Natives use this corn for making bread. 'Tumaushbeen'[41] (Wonder-workers).--This call announces the rope-dancers and sleight-of-hand company; eating fire, swallowing pen-knives, spinning coloured yarn through the nose, tricks with cups and balls, and all the arts of the well-known jugglers. I have seen both men and women attached to these travelling companies perform extraordinary feats of agility and skill, also most surprising vaultings, by the aid of bamboos, and a frightful method of whirling round on the top of a pole or mast. This pole is from twenty to thirty feet high; on the top is a swivel hook, which fastens to a loop in a small piece of wood tied fast to the middle of the performer, who climbs the pole without any assistance, and catches the hook to the loop; at first he swings himself round very gently, but increasing gradually in swiftness, until the velocity is equal to that of a wheel set in motion by steam. This feat is sometimes continued for ten or fifteen minutes together, when his strength does not fail him; but it is too frightful a performance to give pleasure to a feeling audience.