As it is not my intention to give a precise history of the Indian empire, but merely to touch on generalities, I have confined my remarks to a brief explanation of the nature of this office; and will only add, that whilst the Soobadhaars (afterwards the Nuwaubs) of Oude swayed over that beautiful province under these titles, they continued to send their usual nuzzas to the King of Delhi, although no longer considered under his dominion; thus acknowledging his superiority, because inferiors only present nuzzas. But when Ghauzee ood deen Hyder was created King of Oude, he could no longer be considered tributary to the House of Timoor, and the annual ceremony of sending a nuzza, I understood, was discontinued. The first King of Oude issued coins from his new mint almost immediately after his coronation, prior to which period the current money of that province bore the stamp of Delhi.[6] Shah Nizaam ood deen[7] was one of the many Mussulmaun saints, whose history has interested me much. He is said to have been dead about five hundred years, yet his memory is cherished by the Mussulmauns of the present day with veneration unabated by the lapse of years, thus giving to the world a moral and a religious lesson, 'The great and the ambitious perish, and their glory dieth with them; but the righteous have a name amongst their posterity for ever.' I was familiar with the character of Nizaam ood deen long prior to my visit at the Court of Delhi, and, as maybe supposed, it was with no common feeling of pleasure I embraced the opportunity of visiting the mausoleum erected over the remains of that righteous man. The building originally was composed of the hard red stone, common to the neighbourhood of Delhi, with an occasional mixture of red bricks of a very superior quality; but considerable additions and ornamental improvements of pure white marble have been added to the edifice, from time to time, by different monarchs and nobles of Hindoostaun, whose pious respect for the memory of the righteous Shah Nizaam ood deen is testified by these additions, which render the mausoleum at the present time as fresh and orderly as if but newly erected. The style of the building is on the original, I might say, only plan of Mussulmaun mukhburrahs--square, with a cupola. It is a beautiful structure on a scale of moderate size. The pavements are of marble, as are also the pillars, which are fluted and inlaid with pure gold; the ceiling is of chaste enamel painting (peculiarly an Indian art, I fancy,) of the brightest colours. The cupola is of pure white marble, of exquisite workmanship and in good taste; its erection is of recent date, I understand, and the pious offering of the good Akbaar Shah, who, being himself a very religions personage, was determined out of his limited income to add this proof of his veneration for the sainted Nizaam to the many which his ancestors had shown.[8]