Observations Upon the Windward Coast of Africa: The religion, character, customs, &c. of the natives; with a system upon which they may be civilized, and a knowledge attained of the interior of this extraordinary quarter of the globe; and upon the natural and commercial resources of the country; made in the years 1805 and 1806; with an appendix, containing a letter to Lord Howick, on the most simple and effectual means of abolishing the slave tradeCorry, Joseph
History
Observations Upon the Windward Coast of Africa: The religion, character, customs, &c. of the natives; with a system upon which they may be civilized, and a knowledge attained of the interior of this extraordinary quarter of the globe; and upon the natural and commercial resources of the country; made in the years 1805 and 1806; with an appendix, containing a letter to Lord Howick, on the most simple and effectual means of abolishing the slave trade
Corry, Joseph
Africa, West -- Description and travel; Slave trade -- Africa
In the countries which I have visited, and, as I understand from others,
every principal village or town has its _bantaba_, or _palaver-house_,
which I have before described. In this house, or under the shade of some
venerable tree, all ranks occasionally assemble in groups, from sun-rising
to sun-set, and pass the time in chit-chat, or in conversation on public
affairs. Their subjects are inexhaustible, and their tittle-tattle is
carried on with surprising volubility, gaiety, and delight; their time thus
occupied is so seducing, that they separate with great reluctance,
sometimes passing the entire day in this, pratling, smoaking, and
diversion: night, however, terminates these amusements: They assemble in
the open air during the dry season, and under the palaver-houses in the
wet, where they form themselves into dancing companies, generally during
half the night, and not unfrequently the whole of it. Their instruments of
music are upon a very rude construction, consisting of a _tabila_, or drum,
hollowed out from a piece of wood, and covered at each end with a bull's
hide, producing a most barbarous noise, accompanied by a _baba_, or rattle,
loud shouts, palaver, songs, and violent gesticulations, forming a system
of confused uproar, unmusical, and ungraceful. Their motions are irregular,
sometimes in violent contortion, and at others voluptuous and slow. Nothing
can be done without a palaver; and at the change of every dance, he from
whom the proposition originates, makes a solemn harangue over the musical
instruments, which is generally descriptive of some warlike action or
exploit, when they again give themselves up with rapture to the pleasures
of the dance, the females in particular, whose actions and shew of
luxuriant pleasure are highly offensive to delicacy, exhibiting all the
gradations of lascivious attitude and indecency. At this period of unusual
delight, they are applauded by the men with rapturous ardour; but suddenly
a feeling of shame strikes the minds of the young creatures with a
humiliating sense of their display, and amidst these plaudits they hastily
retire to the matrons, who are spectators of the scene, and hide their
blushes in their bosoms. So strongly implanted is this ingenuous and
amiable modesty in youth, which is frequently laid aside when engaged in
the vortex of pleasure, that it is one of the highest charms of beauty; and
wretches only, degraded by debauchery and systematic vice, are capable of
insulting this sentiment. A scrupulous regard to modesty and truth will not
permit me to pursue the description of these amusements farther than
observing, that they prepare them for a profound and tranquil sleep on
their mats, from whence they arise at the dawn of day cheerful and easy.
Thus infancy and youth are singularly happy, and mothers attend their
offspring with maternal feeling and delight; they are neither disturbed by
painful commands or restraint; and it is a picture of perfect happiness to
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account