Not till ten years later did a photographer named Hudson succeed, with
the aid of a medium, in producing spirit pictures. The _modus operandi_
appeared simple. The sitter was posed before the camera, and the picture
was subsequently developed, when besides the sitter's own image there
appeared another figure or figures usually draped, with the features
blurred or only partly distinguishable. Usually these figures were
recognised unhesitatingly by the sitters as portraits of deceased
relatives or friends. Afterwards the practice of spirit photography
received a rude shock. They were examined carefully by professional
photographers, and some of them were found to bear clear marks of double
exposure, the background in each case being visible through the dress of
the sitter--a fatal defect in spirit photography. Moreover it was found
that in some cases the medium had dressed up to play the rôle of spirit.
Whereupon several of those who had professed to recognise the "ghosts"
now hastened to repudiate their recognition. But spirit photography was
not to be quashed so easily. The experiments went on, and faces and
figures appeared on the developed plate which seem to have considerably
baffled the experts. Sir William Crookes now resolved to put the matter
to a test by attempting to obtain a photograph of "Katie," the famous
"control" of Miss Cook, the medium. The young lady gave a series of
sittings in May 1874 at Sir William's house for the purpose. These
sittings took place by electric light, no fewer than five cameras being
simultaneously at work. The medium lay down on the floor behind a
curtain, her face muffled in a shawl. When the materialisation was
complete "Katie" would appear in the full light in front of the
curtain:
"I frequently," writes Sir William Crookes, "drew the curtain
on one side when Katie was standing near; and it was a common
thing for the seven or eight of us in the laboratory to see
Miss Cook and Katie at the same time, under the full blaze of
the electric light. We did not on these occasions actually see
the face of the medium, because of the shawl, but we saw her
hands and feet; we saw her move uneasily under the influence of
the intense light, and we heard her moan occasionally. I have
one photograph of the two together, but Katie is seated in
front of Miss Cook's head."
Public-domain text, read in full here on John Shaqi.
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