The engine-rooms and stoke-holes of a great steamer are forbidden
ground, are lands _taboo_, save to those specially asked to visit them.
Here no interruptions may enter, for speed is the price of ceaseless
vigilance, and horse-power spells fame and dividends. When you come
to measure the region fairly, it broadens into a wonder-land; it
shapes itself into a twilight island of mysteries, into a laboratory
where grimy alchemists practise black magic and white. At first all
seems confusion, but when the brain has co-ordinated certain factors,
harmony is wooed from discord and order emerges from chaos. It is
in the beginning all noise and tangled motion, and shining steel
and oily smells; then succeeds a vague sense of bars moving up and
down, and down and up, with pitiless regularity; of jiggering levers,
keeping time rhythmically to any stray patter you may fit to their
chanting; and, at last, the interdependence of rod grasping rod, of
shooting straight lines seizing curved arms, of links limping backward
and wriggling forward upon queer pivots, dawns upon you; and in the
end you marvel at the nicety with which lever, weight, and fulcrum
work, opening and closing hidden mechanisms, and functioning with an
exactness that dignifies the fraction of a second into an appreciable
quantity. Cranks whirl and whirl and whirl incessantly, holding in
moveless grip the long shafting turning the churning screws; pumps
pulsate and throb with muffled beat; gauge-arms vibrate jerkingly about
narrow arcs, setting their standards of performance; and everywhere, if
your ear be trained to this mechanical music, to this symphony in steam
and steel, you see the officers and greasers conducting harmoniously
the smoothly moving parts, as soothed with oil and caressed with waste
they work without jar or friction, and despite the gales tossing the
ship like a jolly-boat, on the angry ocean. It is a magic domain,
and one may well wonder at the genius which, piling precedent upon
precedent, chains these forces and makes them labor, even on an
unstable platform, as their masters will.
In the stoke-hole, however, one leaves behind the formal and
mathematical, and sees the picturesque with all its dirt unvarnished,
with all its din and clangor unsubdued. Under the splintering silver
of the electric lamps cones of light illuminate great spaces garishly
and leave others in unbroken masses of shadow. Through bulkhead doors
the red and gold of the furnaces chequer the reeking floor, and the
tremulous roar of the caged fires dominates the sibilant splutter of
the stream. Figures nearly naked, gritty and black with coal, and pasty
with ashes, and soaked with sweat, come and go in the blazing light
and in the half gloom, and seem like nightmares from fantastic tales of
demonology.
[Illustration: The Stoke Hole.]
Public-domain text, read in full here on John Shaqi.
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