"S-s-sh!" says he. "Lady to see you." "What kind," says I, "perfect, or just plain lady? And what's her name?" "Ahr-r-r chee!" he whispers, hoarse and stagy. "Didn't I tell you it was a lady? Get a move on!" and he lifts me into the sleeves and yanks away the whisk broom. "See here, Swifty," says I, "if this is another of them hot air demonstrators, or a book agent, there'll be trouble comin' your way in bunches! Remember, now!" Here was once, though, when Swifty hadn't made any mistake. Not that he shows such wonderful intelligence in this case. With her wearin' all them expensive furs, and the cute little English footman standin' up straight in his yellow topped boots over by the door, who wouldn't have known she was a real lady? She's got up all in black, not exactly a mournin' costume, but one of these real broadcloth regalias, plain but classy. She's a tall, slim party, and from the three-quarters' view I gets against the light I should guess she was goin' on thirty or a little past it. All she's armed with is a roll of paper, and as I steps in she's drummin' with it on the window sill. Course, we has all kinds driftin' into the studio here, by mistake and otherwise, and I gen'rally makes a guess on 'em right; but this one don't suggest anything at all. Even that rat faced tiger of hers could have told her this wa'n't any French millinery parlor, and she didn't look like one who'd get off the trail anyway. So I plays a safety by coughin' polite behind my hand and lettin' her make the break. She ain't backward about it, either. "Why, there you are, Professor McCabe!" says she, in that gushy, up and down tone, like she was usin' language as some sort of throat gargle. "How perfectly dear of you to be here, too!" "Yes, ain't it?" says I. "I've kind of got into the habit of bein' here." "Really, now!" says she, smilin' just as though we was carryin' on a sensible conversation. And it's a swagger stunt too, this talkin' without sayin' anything. When you get so you can keep it up for an hour you're qualified either for the afternoon tea class or the batty ward. But the lady ain't here just to pay a social call. She makes a quick shift and announces that she's Miss Colliver, also hoping that I remember her. "Why, sure," says I. "Miss Ann, ain't it?" As a matter of fact, the only time we was ever within speakin' distance was once at the Purdy-Pells' when she blew in for a minute just at dinner time, lifted a bunch of American Beauties off the table with the excuse that they was just what she wanted to send to the Blind Asylum, and blew out again.