We were fortunate enough to catch several male puffins, which were so
ingenuous as to eat the carpet-tacks we offered them. The puffin
(_Thalassidroma buleverii_), is easily distinguishable from the more
effete robin of America because the two birds are similar in no
essential points. This makes it convenient for the naturalist, who
might otherwise get them mixed. Puffins are hunted principally for
their companionable qualities, a domesticated puffin being held the
equal--if not quite--of the average Dobrudjan housewife in many
respects, such as, for instance, self-respect.
It was late in the afternoon of the third day, when we finally reached
Dimbovitza, and the cool _llemla_ was indeed refreshing. It had been,
we one and all agreed, a most interesting trip, and we vowed that we
should not forget our Three Days in the Dobrudja.
Dead Leaves
"Ain't you got them dishes done up yet, Irma?"
A petulant voice from what, in Central New England, is called the
"sittin' room," penetrated the cool silence of the farm-house kitchen.
Irma Hathaway passed her hand heavily before her eyes.
"Yes, Ma," she replied wearily, as she threw a cup at the steel
engraving of "The Return of the Mayflower" which hung on the kitchen
wall. She wondered when she would die.
A cold wind blew along the corridor which connected the kitchen with
the wood-shed. Then, as if disgruntled, it blew back again, like a man
returning to his room after a fresh handkerchief. Irma shuddered. It
was all so inexplicably depressing.
For eighteen years the sun had never been able to shine in Bemis
Corners. God knows it had tried. But there had always been something
imponderable, something monstrously bleak, which had thrown itself,
like a great cloak, between the warm light of that body and the grim
reality of Bemis Corners.
"If Eben had only known," thought Irma, and buried her face in the
soapy water.
Some one entered the room from the wood-shed, stamping the snow from
his boots. She knew, without looking up, that it was Ira.
"Why hev you come?" she said softly, lifting her moist eyes to him. It
was not Ira. It was the hired man. She sobbed pitifully and leaped
upon the roller-towel which hung on the door, pulling it round and
round like a captive squirrel in a revolving cage.
"It ain't no use," she moaned.
And, through the cadavers of the apple-trees in the orchard behind the
house, there rattled a wind from the sea, the sea to which men go down
in ships never to return, telling of sorrow and all that sort of
thing.
"Fate," some people call it.
To Irma Hathaway it was all the same.
June, July, August
_Tulips, crocuses and chard,_
_And the wax bean_
_In the back yard._
_And the open road to the land of dreams,_
_With the heavy swirl_
_Of the singing streams._
_Oh! boy!_
Unpublished Letters of Mark Twain
_With a foreword by Albert Bigelow Paine_[1]
FOREWORD
Public-domain text, read in full here on John Shaqi.
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