Of the Decorative Illustration of Books Old and New: 3rd ed.Crane, Walter
History
Of the Decorative Illustration of Books Old and New: 3rd ed.
Crane, Walter
Book ornamentation -- History; Illumination of books and manuscripts; Illustrated books -- Bibliography; Illustration of books
The revival in England of decorative art of all kinds during the
last five and twenty years, culminating as it appears to be doing in
book-design, has not escaped the eyes of observant and sympathetic
artists and writers upon the Continent. The work of English artists
of this kind has been exhibited in Germany, in Holland, in Belgium
and France, and has met with remarkable appreciation and sympathy.
[Illustration: PATTEN WILSON.
FROM THE PEN DRAWING.]
[Illustration: LAURENCE HOUSMAN.
TITLE-PAGE OF "THE HOUSE OF JOY." (KEGAN PAUL, 1895.)]
[Illustration: L. FAIRFAX MUCKLEY.
FROM "FRANGILLA." (ELKIN MATHEWS.)]
[Illustration: CHARLES ROBINSON.
FROM "A CHILD'S GARDEN OF VERSE." (LANE, 1895.)]
[Illustration: CHARLES ROBINSON.
FROM "A CHILD'S GARDEN OF VERSE." (LANE, 1895.)]
[Illustration: CHARLES ROBINSON.
FROM A "CHILD'S GARDEN OF VERSE." (LANE, 1895.)]
[Sidenote: BELGIUM.]
In Belgium, particularly, where there appears to be a somewhat similar
movement in art, the work of the newer school of English designers has
awakened the greatest interest. The fact that M. Oliver Georges Destrée
has made sympathetic literary studies of the English pre-Raphaelites and
their successors, is an indication of this. The exhibitions of the "XX^e
Siècle," "La libre Æsthetique," at Brussels and Liège, are also evidence
of the repute in which English designers are held.
[Illustration: J. D. BATTEN.
FROM "THE ARABIAN NIGHTS." (J. M. DENT AND CO.)]
[Sidenote: THE CONTINENT.]
In Holland, too, a special collection of the designs of English book
illustrators has been exhibited at the Hague and other towns under the
auspices of M. Loffelt.
[Illustration: J. D. BATTEN.
FROM "THE ARABIAN NIGHTS." (J. M. DENT AND CO.)]
At Paris, also, the critics and writers on art have been busy in the
various journals giving an account of the Arts and Crafts movement, the
Kelmscott Press, and the school of English book-decorators in black and
white, and the recent exhibitions of "L'Art Nouveau" and "Le
Livre Moderne" at Paris are further evidence of the interest
taken there in English art.
[Illustration: R. ANNING BELL.
FROM "A MIDSUMMER NIGHT'S DREAM."
(J. M. DENT AND CO., 1895.)]
[Illustration: R. ANNING BELL.
FROM "BEAUTY AND THE BEAST."
(J. M. DENT AND CO., 1894.)]
[Illustration: R. SPENCE.
FROM A PEN DRAWING.]
[Illustration: ALFRED JONES.
A TITLE-PAGE.]
[Illustration: WILLIAM STRANG.
FROM "BARON MUNCHAUSEN." (LAWRENCE AND BULLEN.)]
[Illustration: WILLIAM STRANG.
FROM "MUNCHAUSEN" (LAWRENCE AND BULLEN).]
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