"Not on the aven-oo, Mr. Parkinson. You've got too bad a record. But
if ye'll run the machine over into Central Park where there ain't so
many sergeants roamin' round we might effict a sittlemint."
A smile of great gladness illuminated the features of Johnny
Parkinson. He let in the clutch with a bang and it was only a matter
of seconds before the ninety horsepower car glided in through the
Seventy-second street entrance to Central Park and swung into the dark
reaches of the East Drive. Slowing down again the young man at the
wheel turned and said anxiously:
"The smallest I've got is a century and I really need some of that."
"That's aisy," rejoined Gladwin. "Sure'n I change hundred dollar bills
ivry day. Slip me the paper an' here's a fifty, which is lettin' ye
off aisy, seein' ye're an ould offinder."
The transfer of bills was made swiftly, whereupon Gladwin commanded:
"Now run me back to me peg post an' drop me off, on'y take it slow an'
gradual or I might have to pinch yez again."
A few minutes later Gladwin heard the young girl say passionately:
"Oh, Johnny, how could you give him the money? He's no better than a
thief. I hope you've taken his number."
"It wouldn't do any good, dearest," said Johnny, sadly. "They're all
in together and I'd only get the worst of it. But did you notice,
Phyllis, that he looks a lot like Travers Gladwin?"
"Impossible!" retorted the girl. "Travers Gladwin is good looking, and
this man's nothing but an Irish monster."
The girl was about to speak again when she was sure she heard muffled
laughter behind her. Then the car sped on into the avenue and just
missed colliding with a Fifth avenue motor 'bus. Officer 666 was put
down a block from his own home and resumed the patrolling of the
immediate precincts of the Gladwin mansion. His only parting salute
from Johnny Parkinson's car was a flashing glance of contempt from the
girl, whose identity he strove in vain to place.
CHAPTER XXIII.
OLD GRIM BARNES GETS A THRILL.
The precipitate departure of Travers Gladwin left Whitney Barnes and
the shirt-sleeved Michael Phelan staring blankly at each other. The
unfrocked policeman was anything but an imposing figure and the
contortions of distress in his rubicund countenance were grotesque
enough to kindle the sense of humor in a far less volatile mind than
that of Whitney Barnes. His smile came to the surface and spread out
in full blossom. But it failed to find reflection in the features of
Mrs. Phelan's son.
"What the divvil are ye grinnin' at?" snarled Phelan. "Ye wouldn't
see no fun in it if it mint your job an' your pension an' your
silf-respect. Now, what is it all about?"
"There you have me, officer," responded the young man, lightly. "The
riddle is dark on all four sides. You and I are in the same
boat--guardians of the castle against the mysterious foe. While you
guard the moat from the kitchen I will operate the portcullis."
Public-domain text, read in full here on John Shaqi.
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