California, Southern -- Fiction; Motion picture industry -- Fiction; Petroleum industry and trade -- Fiction; Political fiction
That was a feverish summer in Bunny’s life, between the war and his
raptures with Eunice. He spent a great deal of time at Beach City,
because he had the excuse of the military work, and because the girl was
so imperious in her demands. Indeed, the first rift in their happiness
came because he would persist in paying visits to Paradise, where Eunice
could not very well come. She took up Bertie’s phrase that Bunny was a
“little oil gnome.” “What do you want with so much money?” she would
argue. “My God, let me get some from Papa, if you need it!” Tommy Hoyt,
it seems, had made a huge killing, buying old hulks down at the harbor
just before the country entered the war; it was reported he had cleared
a cool three million. There had been a lot about it in the papers—all
very complimentary, since that was everybody’s dream of glory.
How could Bunny explain that it wasn’t the money, but the fact that the
country had to have oil, and he wanted to do his share; what kind of
preternatural solemnity was that for a youth of eighteen? He put the
blame on Dad, who wasn’t very well and needed his son; and so it became
an issue, which did Bunny care for most, his Dad or his sweetheart?
Eunice would grab him by the shoulders and shake him; she had to have
some one to take her to a dance, and if he went off and buried himself
in the desert, she would get another fellow.
She was insatiable, ravenous for pleasure; she never knew when to stop,
whatever it might be. “One dance more! Just one!” she would plead; and
then it would be one kiss more, or one drink. She was always pleading
with Bunny to drink, and having her feelings hurt because he refused.
How could he count his promise to his father more than his promise to be
her pal? And how could she take him out with her crowd if he played the
part of a skeleton at a feast?
Not for long was she content to lose themselves in the sand-dunes, and
share their secret with the moon. Eunice loved the bright lights, the
free and conspicuous spending of Papa’s sudden wealth. They would drive
to Angel City, where in fashionable hotels were palatial dining-rooms,
with jazz-orchestras, and crowds of revellers, celebrating new contracts
and new financial coups. The rooms were decorated with the flags of all
the allies, and the men wore the uniforms of all the services. This was
what the war meant to Eunice, to be in this shining company, and stand
up while the orchestra played the “Star-spangled Banner,” and after that
to dance all night while it played, “Kiss me, honey-baby,” or
“Toodle-ums too,” or whatever amorous cajolement the saxophone might
present. She was an aggressive little dancer, clinging to her partner,
her body fitted into his as if it had been moulded there. Bunny would
not have thought it quite decent to behave like that in public, but it
was the mood of the time, and no one paid any attention to them,
especially after the hours had passed and the drinks had taken effect.
Public-domain text, read in full here on John Shaqi.
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