California, Southern -- Fiction; Motion picture industry -- Fiction; Petroleum industry and trade -- Fiction; Political fiction
Outside, this house was plaster applied to chicken-wire, or something
that looked like it; inside, it was shiny like the home of Mrs. Groarty,
only it was imitation mahogany instead of imitation oak. There was a big
entrance hall, and a drawing-room on one side, and on the other a
dining-room, with elaborate up-to-date “built-in” features. To these the
owner had added furniture regardless of expense or period:
spindley-legged gilded French things, done in flowered silk; mid-century
American black walnut, with roses and rosettes; black Chinese teak-wood,
carved with dragons. There were statues of nude ladies, in highly
polished marble, and also a marble clergyman in a frock coat and a
string tie. Upstairs were six bed-rooms, each done in a different color
by a lady from the best department-store in town. Some people might have
found the place lacking in the elements of home, but Bunny never thought
of such a thing—he had learned to be happy in a hotel room, with the
use of the lobby. All his life that he could remember, home had been a
place which you rented, or bought with the idea of holding it as a real
estate speculation. As the Indians in the Hudson Bay country kill a
moose in the winter-time, and move to the moose, so Dad started an oil
well, and moved to the well.
First came Mr. Eaton, the tutor; he was used to getting a telephone
call, informing him where the carcase of the moose was to be found. He
would pack his two suit-cases and his steamer-trunk, and take the train
or the motor-bus to his pupil. He was a rather delicate young man, very
retiring, with pale blue eyes, and pockets that bagged because he put
books in them. He had been engaged with the express restriction that oil
was to come before culture; in other words, he was to teach his pupil at
such times as Dad was not doing it. Dad was not quite clear on the
subject of book knowledge; at times he would say it was all “bunk,” but
at other times he would pay it a tribute of embarrassment. Yes, he was a
“roughneck,” of course, and Bunny would have to know more than he; but
at the same time he was jealous of that knowledge, troubled by fear it
might be something he would disapprove of. He was right in this, for Mr.
Eaton told Bunny quite shamelessly that there were things in the world
more important than oil.
Then came the family limousine, with grandmother and Aunt Emma, driven
by Rudolph, who was a combination of chauffeur and gardener, and would
put on a frock coat and be a butler at parties. Beside him on the front
seat rode Sing, the Chinese cook, who was too precious to be trusted to
motor-bus or train. Nellie, the house-maid, could be more easily
replaced, so she brought herself. A truck brought the trunks and
miscellaneous belongings—Bunny’s bicycle and Aunt Emma’s hat-boxes, and
grandmother’s precious works of art.
Public-domain text, read in full here on John Shaqi.
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