California, Southern -- Fiction; Motion picture industry -- Fiction; Petroleum industry and trade -- Fiction; Political fiction
Old Mrs. Ross was seventy-five years of age, and her life had been that
of a ranch-woman, in the days before automobiles and telephones and
machinery. She had slaved in poverty, and raised a family, and seen one
daughter die in child-birth, and a son of typhoid in the Spanish war,
and another son as a drunkard; now “Jim” was all she had left, and he
had made a fortune late in his life, and lifted her to leisure at the
end of hers. You might have been a long time guessing what use she would
make of it. Out of a clear sky she announced that she was going to be a
painter! For sixty years, it appeared, she had cherished that dream,
while washing dishes, and spanking babies, and drying apricots and
muscat grapes.
So now, wherever they lived, grandmother had a spare room for a
“studio.” A wandering artist had taught her the handling of crude and
glaring colors. This artist had painted desert sunsets, and the
mountains and rocky coasts of California; but old Mrs. Ross never
painted anything she had ever seen. What she was interested in was
gentility—parks, and lawns, and shady avenues with ladies in
hoop-skirts, and gentlemen with wide-bottomed trousers. Her masterpiece
was six feet by four, and always hung in the dining-room of the rented
home; it showed in the background an extremely elegant two-story house,
with two-storied porches having pillars on which you could see every
curlicue. In front ran a circular drive, with a fountain in the middle,
and water which was very plainly splashing. Around the drive rolled a
victoria—or maybe it was a landau or a barouche—with a lady and a
gentleman being driven by a Negro coachman. Behind the vehicle raced a
little dog, and playing on the lawn were a boy, and a girl in wide
skirts, having a hoop in her hand. Also there were iron deer on the
lawn—you never got tired of looking at this picture, because you could
always find something new in it; Dad would show it to visitors, and say:
“Ma painted that; ain’t she a wonder, for an old lady seventy-five?”
Agents who had come with leasing propositions, or lawyers with papers to
be gone over, or foremen coming for orders, would examine it carefully,
and never disagreed with Dad’s judgment.
Public-domain text, read in full here on John Shaqi.
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