Old and New London, Volume I: A Narrative of Its History, Its People, and Its PlacesThornbury, Walter
History
Old and New London, Volume I: A Narrative of Its History, Its People, and Its Places
Thornbury, Walter
London (England) -- Description and travel; London (England) -- History
The tumult alluded to is thus described: "A brief touch in memory of the
fiery zeal of Mr. Barebone, a reverend unlearned leather-seller, who
with Mr. Greene the felt-maker were both taken preaching or prating in a
conventicle amongst a hundred persons, on Sunday, the 19th of December
last, 1641."
One of the pleasantest memories of Fetter Lane is that which connects it
with the school-days of that delightful essay-writer, Charles Lamb. He
himself, in one of Hone's chatty books, has described the school, and
Bird, its master, in his own charming way.
[Illustration: ROASTING THE RUMPS IN FLEET STREET (FROM AN OLD PRINT)
(_see page 95_).]
Both Lamb and his sister, says Mr. Fitzgerald, in his Memoir of Lamb,
went to a school where Starkey had been usher about a year before they
came to it--a room that looked into "a discoloured, dingy garden, in the
passage leading from Fetter Lane into Bartlett's Buildings. This was
close to Holborn. Queen Street, where Lamb lived when a boy, was in
Holborn." Bird is described as an "eminent writer" who taught
mathematics, which was no more than "cyphering." "Heaven knows what
languages were taught there. I am sure that neither my sister nor myself
brought any out of it but a little of our native English. It was, in
fact, a humble day-school." Bird and Cook, he says, were the masters.
Bird had "that peculiar mild tone--especially when he was inflicting
punishment--which is so much more terrible to children than the angriest
looks and gestures. Whippings were not frequent; but when they took
place, the correction was performed in a private room adjoining, whence
we could only hear the plaints, but saw nothing. This heightened the
decorum and solemnity." He then describes the ferule--"that almost
obsolete weapon now." "To make him look more formidable--if a pedagogue
had need of these heightenings--Bird wore one of those flowered Indian
gowns formerly in use with schoolmasters, the strange figures upon which
we used to interpret into hieroglyphics of pain and suffering." This is
in Lamb's most delightful vein. So, too, with other incidents of the
school, especially "our little leaden inkstands, not separately
subsisting, but sunk into the desks; and the agonising benches on which
we were all cramped together, and yet encouraged to attain a free hand,
unattainable in this position." Lamb recollected even his first
copy--"Art improves nature," and could look back with "pardonable pride
to his carrying off the first premium for spelling. Long after,
certainly thirty years, the school was still going on, only there was a
Latin inscription over the entrance in the lane, unknown in our humbler
days." In the evening was a short attendance of girls, to which Miss
Lamb went, and she recollected the theatricals, and even _Cato_ being
performed by the young gentlemen. "She describes the cast of the
characters with relish. 'Martha,' by the handsome Edgar Hickman, who
afterwards went to Africa."
Public-domain text, read in full here on John Shaqi.
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