Old and New London, Volume I: A Narrative of Its History, Its People, and Its PlacesThornbury, Walter
History
Old and New London, Volume I: A Narrative of Its History, Its People, and Its Places
Thornbury, Walter
London (England) -- Description and travel; London (England) -- History
The first step towards the real restoration of the Temple Church was
made in 1825. It had been generally repaired in 1811, but in 1825 Sir
Robert Smirke restored the whole south side externally and the lower
part of the circular portion of the round church. The stone seat was
renewed, the arcade was restored, the heads which had been defaced or
removed were supplied. The wainscoting of the columns was taken away,
the monuments affixed to some of the columns were removed, and the
position of others altered. There still remained, however, monuments in
the round church materially affecting the relative proportions of the
two circles; the clustered columns still retained their incrustations of
paint, plaster, and whitewash; the three archway entrances into the
oblong church remained in their former state, detaching the two portions
from each other, and entirely destroying the perspective which those
arches afforded.
When the genuine restoration was commenced in 1845, the removal of the
_beautifications and adornments_ which had so long disfigured the Temple
Church, was regarded as an act of vandalism. Seats were substituted for
pews, and a smaller pulpit and reading-desk supplied more appropriate to
the character of the building. The pavement was lowered to its original
level; and thus the bases of the columns became once more visible. The
altar screen and railing were taken down. The organ was removed, and
thus all the arches from the round church to the body of the oblong
church were thrown open. By this alteration the character of the church
was shown in its original beauty.
In the summer of 1840, the two Societies of the Inner and Middle Temple
had the paint and whitewash scraped off the marble columns and ceiling.
The removal of the modern oak wainscoting led to the discovery of a very
beautiful double marble piscina near the east end of the south side of
the building, together with an adjoining elegantly-shaped recess, and
also a picturesque Gothic niche on the north side of the church.
[Illustration: INTERIOR OF THE TEMPLE CHURCH (_see page 150_).]
On taking up the modern floor, remains of the original tesselated
pavement were discovered. When the whitewash and plaster were removed
from the ceiling it was found in a dangerous condition. There were also
found there remains of ancient decorative paintings and rich ornaments
worked in gold and silver; but they were too fragmentary to give an idea
of the general pattern. Under these circumstances it was resolved to
redecorate the ceiling in a style corresponding with the ancient
decorative paintings observable in many Gothic churches in Italy and
France.
Public-domain text, read in full here on John Shaqi.
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