In the glorious reign of Elizabeth the old Middle Temple Hall was converted into chambers, and a new hall built. The present roof (says Mr. Peter Cunningham) is the best piece of Elizabethan architecture in London. The screen, in the Renaissance style, was long supposed to be an exact copy of the Strand front of Old Somerset House; but this is a vulgar error; nor could it have been made of timber from the Spanish Armada, for the simple reason that it was set up thirteen years before the Armada was organised. The busts of "doubting" Lord Eldon and his brother, Lord Stowell, the great Admiralty judge, are by Behnes. The portraits are chiefly second-rate copies. The exterior was cased with stone, in "wretched taste," in 1757. The diary of an Elizabethan barrister, named Manningham, preserved in the Harleian Miscellanies, has preserved the interesting fact that in this hall in February, 1602--probably, says Mr. Collier, six months after its first appearance at the Globe--Shakespeare's _Twelfth Night_ was acted. "Feb. 2, 1601 (2).--At our feast," says Manningham, "we had a play called _Twelve Night, or What you Will_, much like the _Comedy of Errors_ or _Menechmi in Plautus_, but most like and neere to that in Italian called _Inganni_. A good practice in it is to make the steward believe his lady widdowe was in love with him, by counterfayting a letter, as from his lady, in generall terms telling him what shee liked best in him, and prescribing his gestures, inscribing his apparaile, &c., and then, when he came to practise, making him believe they tooke him to be mad."