Old and New London, Volume I: A Narrative of Its History, Its People, and Its PlacesThornbury, Walter
History
Old and New London, Volume I: A Narrative of Its History, Its People, and Its Places
Thornbury, Walter
London (England) -- Description and travel; London (England) -- History
The Present Whitefriars--The Carmelite Convent--Dr. Butts--The
Sanctuary--Lord Sanquhar Murders the Fencing-Master--His
Trial--Bacon and Yelverton--His Execution--Sir Walter Scott's
"Fortunes of Nigel"--Shadwell's _Squire of Alsatia_--A Riot in
Whitefriars--Elizabethan Edicts against two Ruffians of
Alsatia--Bridewell--A Roman Fortification--A Saxon Palace--Wolsey's
Residence--Queen Catherine's Trial--Her Behaviour in
Court--Persecution of the First Congregationalists--Granaries and
Coal Stores destroyed by the Great Fire--The Flogging in
Bridewell--Sermon on Madame Creswell--Hogarth and the "Harlot's
Progress"--Pennant's Account of Bridewell--Bridewell in 1843--Its
Latter Days--Pictures in the Court Room--Bridewell Dock--The Gas
Works--Theatres in Whitefriars--Pepys' Visits to the Theatre--Dryden
and the Dorset Gardens Theatre--Davenant--Kynaston--Dorset
House--The Poet-Earl.
So rich is London in legend and tradition, that even some of the spots
that now appear the blankest, baldest, and most uninteresting, are
really vaults of entombed anecdote and treasure-houses of old story.
Whitefriars--that dull, narrow, uninviting lane sloping from Fleet
Street to the river, with gas works at its foot and mean shops on either
side--was once the centre of a district full of noblemen's mansions; but
Time's harlequin wand by-and-by turned it into a debtors' sanctuary and
thieves' paradise, and for half a century its bullies and swindlers
waged a ceaseless war with their proud and rackety neighbours of the
Temple. The dingy lane, now only awakened by the quick wheel of the
swift newspaper cart or the ponderous tires of the sullen coal-wagon,
was in olden times for ever ringing with clash of swords, the cries of
quarrelsome gamblers, and the drunken songs of noisy Bobadils.
Public-domain text, read in full here on John Shaqi.
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