The cruel-looking spikes were removed early in the present century. The panelled oak gates have often been renewed, though certainly shutting them too often never wore them out. As early as 1790 Alderman Pickett (who built the St. Clement's arch), with other subversive reformers, tried to pull down Temple Bar. It was pronounced unworthy of form, of no antiquity, an ambuscade for pickpockets, and a record of only the dark and crimson pages of history. A writer in the _Gentleman's Magazine_, in 1813 chronicling the clearance away of some hovels encroaching upon the building, says: "It will not be surprising if certain amateurs, busy in improving the architectural concerns of the City, should at length request of their brethren to allow the Bar or grand gate of entrance into the City of London to stand, after they have so repeatedly sought to obtain its destruction." In 1852 a proposal for its repair and restoration was defeated in the Common Council; and twelve months later, a number of bankers, merchants, and traders set their hands to a petition for its removal altogether, as serving no practical purpose, as it impeded ventilation and retarded improvements. Since then Mr. Heywood has proposed to make a circus at Temple Bar, leaving the archway in the centre; and Mr. W. Burges, the architect, suggested a new arch in keeping with the new Law Courts opposite. [Illustration: THE ROOM OVER TEMPLE BAR (_see page 37_).] It is a singular fact that the "Parentalia," a chronicle of Wren's works written by Wren's clever son, contains hardly anything about Temple Bar. According to Mr. Noble, the Wren manuscripts in the British Museum, Wren's ledger in the Bodleian, and the Record Office documents, are equally silent; but from a folio at the Guildhall, entitled "Expenses of Public Buildings after the Great Fire," it would appear that the Bar cost altogether L1,397 10s.; Bushnell, the sculptor, receiving out of this sum L480 for his four stone monarchs. The mason was John Marshall, who carved the pedestal of the statue of Charles I. at Charing Cross and worked on the Monument in Fish Street Hill. In 1636 Inigo Jones had designed a new arch, the plan of which still exists. Wren, it is said, took his design of the Bar from an old temple at Rome.