Old and New London, Volume I: A Narrative of Its History, Its People, and Its PlacesThornbury, Walter
History
Old and New London, Volume I: A Narrative of Its History, Its People, and Its Places
Thornbury, Walter
London (England) -- Description and travel; London (England) -- History
That shameless rogue, Edmund Curll, lived at the "Dial and Bible,"
against St. Dunstan's Church. When this clever rascal was put in the
pillory at Charing Cross, he persuaded the mob he was in for a political
offence, and so secured the pity of the crowd. The author of "John
Buncle" describes Curll as a tall, thin, awkward man, with goggle eyes,
splay feet, and knock-knees. His translators lay three in a bed at the
"Pewter Platter Inn" at Holborn. He published the most disgraceful books
and forged letters. Curll, in his revengeful spite, accused Pope of
pouring an emetic into his half-pint of canary when he and Curll and
Lintot met by appointment at the "Swan Tavern," Fleet Street. By St.
Dunstan's, at the "Homer's Head," also lived the publisher of the first
correct edition of "The Dunciad."
[Illustration: ST. DUNSTAN'S CLOCK (_see page 47_).]
Among the booksellers who crowded round old St. Dunstan's were Thomas
Marsh, of the "Prince's Arms," who printed Stow's "Chronicles;" and
William Griffith, of the "Falcon," in St. Dunstan's Churchyard, who, in
the year 1565, issued, without the authors' consent, _Gorboduc_, written
by Thomas Norton and Lord Buckhurst, the first real English tragedy and
the first play written in English blank verse. John Smethwicke, a still
more honoured name, "under the diall" of St. Dunstan's Church, published
"Hamlet" and "Romeo and Juliet." Richard Marriot, another St. Dunstan's
bookseller, published Quarle's "Emblems," Dr. Donne's "Sermons," that
delightful, simple-hearted book, Isaak Walton's "Complete Angler," and
Butler's "Hudibras," that wonderful mass of puns and quibbles, pressed
close as potted meat. Matthias Walker, a St. Dunstan's bookseller, was
one of the three timid publishers who ventured on a certain poem,
called "The Paradise Lost," giving John Milton, the blind poet, the
enormous sum of L5 down, L5 on the sale of 1,300 copies of the first,
second, and third impressions, in all the munificent recompense of L20;
the agreement was given to the British Museum in 1852, by Samuel Rogers,
the banker poet.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account