Old and New Paris: Its History, Its People, and Its Places, v. 1Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 1
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
Not even in Russia have so many sovereigns been assailed by their
subjects as in France. Since, indeed, the murder of Henri III. by
Jacques Clément, it has been the rule, rather than the exception,
with royal personages in France to be struck by the assassin or the
executioner; or, if spared in body, to be brought all the same to some
tragic end. Henri IV. fell by the hand of Ravaillac. No such fate
awaited Louis XIII., Henri IV.'s immediate successor; but Louis XV. was
stabbed by Damiens, Louis XVI. was guillotined, Louis XVII., imprisoned
in the Temple, died one scarcely knows how or where. The Duke of Enghien
was shot by order of Napoleon. Louis XVIII. had to fly from Paris at
the approach of Napoleon returning from Elba; the Duke of Berri was
assassinated by Louvel; Charles X. lost his crown by the Revolution
which brought Louis Philippe to the throne; and Louis Philippe, who was
ultimately to disappear in a hackney cab before the popular rising which
led to the establishment of the Second Republic, and soon afterwards
of the Second Empire, was meanwhile made the object of some half-dozen
murderous attacks, the most formidable being the one planned and
executed by Fieschi, otherwise Gérard. What, it may be asked, had a
quiet, peaceful, and eminently respectable monarch like Louis Philippe
done to provoke repeated attempts upon his life? The explanation is
simple. Charles X. had been driven away in 1830 by the Republicans, not
that another king might be appointed in his stead, but that the Republic
might be established. Louis Philippe was, from their point of view, an
interloper who must, at all hazards, be removed.
[Illustration: THE WINTER CIRCUS IN THE BOULEVARD DES FILLES DE
CALVAIRE.]
Public-domain text, read in full here on John Shaqi.
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