Old and New Paris: Its History, Its People, and Its Places, v. 1Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 1
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
If Paris be really "the Tavern of Europe," the Café Anglais is at this
moment the Tavern of Paris. Scarcely any foreigner of distinction visits
the French capital without dining, perhaps even by special arrangement
supping, at the Café Anglais, which is now under the management, not
of an enterprising landlord, but of a well-regulated Limited Liability
Company.
* * * * *
At the corner of the Rue de Grammont, separated from the Café Anglais
by the Theatrical Bureau, or "Office de Théâtre," which supplies
tickets for every playhouse in Paris, is the Librairie Nouvelle, where,
exhibited for sale, may be seen all the latest novels in vogue and most
of the standard works which, in spite of, or perhaps in consequence of,
their ancient fame, still find readers. Books are published at much
lower prices in Paris than in London. Lending libraries are now quite
out of date in the French capital, and persons really interested in a
new work do not get it to read at so much a volume or a subscription of
so much a year, but buy it once and for all. Forty or fifty years ago
the circulating library system had been pushed further in Paris than
any point it has yet reached in London. Novels by popular authors were
issued in six or eight volumes with from eighty to one hundred words in
each page; a sore temptation to the Belgian pirates, who, in the days
before International Copyright Conventions, vexed the soul of every
French author by reproducing his works at so low a price that he had
no more chance of selling his editions in Belgium than has an English
author of to-day of vending his in the United States. Instead, however,
of being separated from France as America is from England by thousands
of miles of sea, Belgium was conterminous with the country it loved
to despoil. It was impossible to prevent the fraudulent imitations of
Belgium entering France; and to put an end at once to Belgian piracy and
to the absurd circulating library system, a spirited and intelligent
Paris publisher, Charpentier by name, introduced the novel at three and
a half francs--a price which, as originally fixed, or at a reduction of
half a franc, is still maintained. Copyright affairs between France and
Belgium are now regulated under the clauses of the same International
Convention which binds all other countries, with the exception of Russia
and Holland on one side of the Atlantic, and the United States of
America on the other.
[Illustration: MARIVAUX.
(_From the Bust by Mlle. Dubois-Davesne in the Comédie Française._)]
Public-domain text, read in full here on John Shaqi.
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