Soon after the accession of Louis Philippe--a more popular sovereign than the legitimate King Charles X., whom, at the end of the Revolution of 1830, he succeeded--the Chambers passed a resolution for crowning the Vendôme Column once more with a statue of Napoleon. A competition was opened, and the model of a statue by M. Seurre was selected from a great number sent in. It was cast in bronze, and inaugurated with great show on the 28th of July, 1833, during the annual festivities in celebration of the Revolution of 1830. The Army and the National Guard were represented in force on this solemn occasion; and Louis Philippe, on horseback, in the midst of his staff, removed with his own hands the veil which concealed the statue from the eyes of the crowd. He then saluted, in this bronze effigy, the conqueror of Continental Europe; who, thanks in a great measure to the revived worship of Bonapartism, was in less than twenty years to be succeeded by a new emperor of the same dynasty. The Napoleon who now took his place at the top of the column was more in harmony with the details of the structure representing French generals and French soldiers than the Roman Emperor so rudely dethroned in 1814 had been. The new Napoleon was the Napoleon of real life and of Béranger's songs, the _Petit Caporal_ wearing his _redingote grise_, and standing in a characteristic attitude, with one of his hands behind his back. Instead of the laurel wreath he wore on his head the traditional _petit chapeau_. [Illustration: THE PLACE VENDÔME.] It seemed, however, to Napoleon III. that his uncle's own design ought to be respected; and in 1864 the statue of Napoleon "in his habit as he lived" was replaced by a statue after the model of the original one, representing the conqueror of Austerlitz in the conventional garb of a Roman emperor. The more realistic statue was placed in the middle of the rond-point of Courbevoie. Under the Commune the statue and the column itself were pulled down. The eminent painter, Courbet, had formed a project for replacing the column, which was only a monument of the victories gained by France at the expense of her plundered and humiliated neighbours, by one made out of French and German cannon in honour of the Federation of Nations and the Universal Republic. Courbet is said to have invited the Prussians to join him in carrying out this idea, which could not in any respect have suited their views. No period of French history, however, has been more diversely narrated than that of the Commune. One thing is certain; that the column fell, and in its descent went to pieces. The statue, too, suffered greatly by the fall. One of the legs was broken, and the head got separated from the body. A speech in honour of the Commune's mechanical triumph over the Imperial "idea" was pronounced by General Bergeret.