Old and New Paris: Its History, Its People, and Its Places, v. 1Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 1
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
"Si de maint politique orage
Le Palais Royal
Devint le théâtre infernal,
Du gai carnaval
Il est aujourd'hui l'héritage:
Jeu, spectacle, bal
Y sont dans leur pays natal,
Flamand, Provençal,
Turc, Africain, Chinois, sauvage,
Au moindre signal
Tout se trouve au Palais Royal.
Bref, séjour banal,
Du grand, du sot, du fou, du sage,
Le Palais Royal
Est le rendez-vous général."
[Illustration: GARDENS OF THE PALAIS ROYAL.]
Reformed in so many respects under the reign of Louis Philippe, the
Palais Royal was destined at the same time to be overshadowed by the
increasing importance of the Boulevards.
After the Revolution of 1848 the Palais Royal, now styled Palais
National, was once more treated as State property. Under the Second
Empire it became the residence of Prince Jerome, succeeded by his son,
Prince Napoleon. On the ornamentation of the portico, some _fleurs de
lis_ dating from the time of Richelieu, which the Revolutionists of
1789 and of 1848 had forgotten to scrape off, were erased and replaced
by Imperial eagles, themselves destined to disappear in the revolution
of the 4th of September, 1871, when, at the same time, the Republican
motto, "Liberty, Equality, Fraternity," was restored. Meanwhile, on
the 23rd of May, 1871, while the expiring Commune was still struggling
against the army of Versailles, the palace was invaded by the Communards
and set in flames. The whole of the left wing, with part of the central
pavilion, was burnt down. In the midst of the general incendiarism,
the Théâtre Français, which may be regarded as an annexe of the Palais
Royal, though it is entered from the Rue Richelieu, had itself a narrow
escape from fire.
The Palais Royal was destined to be the birthplace of more than one
revolution. It was here that the great movement of 1789, and the
minor one of July, 1830, began. The revolution of July seems, in the
first instance, to have been intended simply as a protest, an act of
resistance against arbitrary measures--and in particular against the
muzzling of the Press to such an extent as to render it impossible under
modern conditions to publish a newspaper. The celebrated _ordonnances_
had the immediate effect of throwing a multitude of journeyman printers
out of work, and it was by these men that in one part of the city the
insurrection was commenced. With them the question was not a political
one in theory alone; it was a question whether they should get the
hateful _ordonnances_ repealed or remain without work: that is to say,
starve.
[Illustration: THE PALAIS ROYAL AFTER THE SIEGE.]
Public-domain text, read in full here on John Shaqi.
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