Old and New Paris: Its History, Its People, and Its Places, v. 1Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 1
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
The Comédie Française did not in the long run suffer from the popularity
of the opposition theatre, and perhaps profited by it. But soon the
Comédie Française was to be subjected to a new inconvenience, and
in the very year which had witnessed the invasion of the Comédie
Italienne a tax was imposed on theatres generally for the benefit of the
poor--"_taxe des pauvres_"--which exists even to the present day. The
members of the Comédie Française endeavoured to meet the difficulty by
raising the prices on the occasion of first representations.
After the death of Louis XIV. the Comédie Française remained, as before,
under the supreme government of the king, his ministers, and the
gentlemen of the chamber. The new sovereign showed himself as munificent
in the matter of the subvention as his predecessor, and the theatre was
once more guaranteed an annual grant of 12,000 francs. A custom was now
for the first time introduced, which has since become universal--that
of playing a first piece in one act before the principal play of the
evening.
Under Louis XV. the Comédie Française was directed, in the matter of
engagements and general administration, by the Duc de Richelieu, to whom
were submitted the petitions intended for the king. The members of the
Comédie Française kept a careful watch over the privileges conferred
upon them, and we find them complaining whenever there are any signs of
these privileges being interfered with by a rival establishment. Every
booth opened at a temporary fair excited the suspicion of the comedians;
and they at last succeeded in procuring an order by which the directors
of the much-hated Comédie Italienne, now known as the Opéra Comique,
were prevented from playing comedies, especially those which had been
written expressly for the Comédie Française.
Public-domain text, read in full here on John Shaqi.
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