Old and New Paris: Its History, Its People, and Its Places, v. 1Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 1
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
Not only were the actors and actresses of the Comédie Française
imprisoned, but also the dramatists in the habit of writing for the
theatre, with Alexander Duval, author of _Les Héritiers_ and other
amusing comedies, and Laya, who had dramatised "Pamela," among them.
One of the members of the Committee of Public Safety, the ferocious
Collot d'Herbois, is reported to have said that "the head of the
Comédie Française should be guillotined, and the rest sent out of the
country." The famous actor, Fleury, sets forth in his "Memoirs" that
on the margin of the depositions in the case of Mdlle. Raucourt, who
had been arrested with the other members of the company, the said
Collot d'Herbois had written with his own hand, in red, an enormous G.
This was a death sentence without appeal, G standing for guillotine.
"Arrested in 1793 with most of the principal actors and actresses, she
was," says Fleury, "as a first step, imprisoned at Sainte-Pélagie; but
already she was marked down for the scaffold. The Queen had protected
her; she had received numerous benefits from the Royal Family; and she
was suspected of gratitude for so many favours." In common with all
her colleagues of the Comédie Française, who like herself had been
arrested, Fleury among the number, Mdlle. Raucourt owed her life to the
courage and ingenuity of a clerk in the employment of the Committee of
Public Safety, who destroyed the Acts of Accusation drawn up by Collot
d'Herbois for presentation to Fouquier-Tinville. Considerable delay was
thus caused, during which the anger entertained against the theatrical
troop gradually evaporated, though some of the players remained in
prison until the fall of Robespierre. It was understood meanwhile that
no such words as "king" or "queen," "lord" or "lady," were to be used
on the stage, and the members of the Comédie Française had received a
sufficiently severe lesson to render them disinclined for the future to
set at naught the edict on the subject.
Public-domain text, read in full here on John Shaqi.
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