Old and New Paris: Its History, Its People, and Its Places, v. 1Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 1
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
Théophile Gautier declares that Mdlle. Mars could only lend to the
proud and passionate Doña Sol a "sober and refined talent," as she was
pre-occupied with considerations of propriety more suited to comedy than
to drama. Victor Hugo himself was, on the other hand, delighted with the
performance of the principal actress; and one cannot but accept him as
the best judge in the case. It would be impossible, in Victor Hugo's own
words, without having seen her, to form an idea of the effect produced
by the great actress in the part of Doña Sol, to which she gave "an
immense development," going in a few minutes through the whole gamut of
her talent, from the graceful to the pathetic, and from the pathetic to
the sublime.
The success of _Hernani_ corresponded closely enough with the triumph
of the Revolution of July, which brought Louis Philippe to the throne;
and under the new and more liberal form of monarchy it seemed as though
the rising poet and dramatist, who was soon to establish an undisputed
supremacy, would have his own way at the Comédie Française as elsewhere.
But his next work, _Le Roi s'amuse_, found no more favour in the eyes
of M. Thiers than _Marion Delorme_ had done in those of Charles X.'s
ministers, and of Charles himself. _Le Roi s'amuse_ (of which the
subject is better known in England by Verdi's opera of _Rigoletto_ than
by the drama on which _Rigoletto_ is based) was played but once, and
was not revived until some forty years afterwards, when it was produced
under the Government of the Third Republic without much success. Victor
Hugo's dramas have not, except to the reading public, displaced the
tragedies of Corneille and Racine. Rachel as Chimène, Sarah Bernhardt
as Phèdre are to this day better remembered by the old habitués of the
Comédie Française than any actors in any of Victor Hugo's parts. That
Victor Hugo is one of the greatest poets of the century can scarcely be
denied; but his genius is more lyrical than dramatic.
[Illustration: VOLTAIRE.
(_From the statue by Houdon in the Comédie Française._)]
Public-domain text, read in full here on John Shaqi.
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