This furniture, known in France as _meubles de Boule_, has, by the way, in some inexplicable manner, got to be known in England as "buhl," and even "bühl" furniture, though Boule was born at Paris in 1642, and died there in 1732, without apparently having ever lived in Germany. In assigning to Boule a set of apartments in the Louvre, Louis XIV. at the same time appointed him engraver in ordinary of the royal seals. Boule, moreover, was honoured on this occasion with a diploma which gave him the titles of "architect, painter, sculptor in mosaic, artist in furniture, carver, decorator, and inventor of cyphers." In his furniture, Boule employed with great effect woods of different colours, while for his inlaid work he used mother-of-pearl, ivory, gold, brass, bronze, and mosaic. He imitated on his furniture all kinds of animals, flowers, and fruits. He even represented landscapes, hunting scenes, battles, and historical subjects. Besides furniture, Boule applied his art to clocks, casquets, inkstands, and all kinds of arms. He worked much for Versailles and the other royal residences, and received frequent orders from foreign sovereigns. The meaning, however, of Louis XIV.'s apparent liberality was, from a Versailles point of view, that the Louvre was not worth living in. To provide furnished apartments for the recipients of the king's bounty, it was unfortunately necessary to put up partitions so as to divide and sub-divide the majestic halls of the palace into little sitting-rooms and bed-rooms. The Louvre was now an hotel, or rather a _caravanserai_, in which everyone made his bed as best pleased him. Worse still, traders were allowed to erect shops and booths in front of the palace, these improvised constructions resting, indeed, on the palace walls. In 1754, under the reign of Louis XV., Marigny, superintendent of fine arts, undertook to remedy this state of things. He succeeded in interesting the king, who not only ordered the space in front of the Louvre to be cleared, but empowered the architect, Gabriel, to complete the edifice. Gabriel continued the unfinished façade, but had made but little progress when Louis XV. died. When Louis XVI. ascended the throne in 1774 the Louvre was far from being finished; and the first step taken by the new monarch in connection with the old palace was to have the interior quadrangle cleared of the heaps of sand and dust which had accumulated there, some of these heaps forming little mountains which reached the first floor of the building. Louis XVI., after the first years of his reign, had more pressing matters to attend to than the completion of the ancient palace of the Kings of France. His own throne was menaced, and the history of the Louvre as a royal residence was now at an end.