A step in this direction had already been taken in 1791, when it was decreed that the artistic treasures of the nation should be brought together at the Louvre. The year following, August 14th, 1792, the Legislative Assembly appointed a commission for collecting the statues and pictures distributed among the various royal residences; and on the 18th of October in the same year, Roland, Minister of the Interior, wrote to the celebrated painter David, who was a member of the Convention, to communicate to him the plan of the new establishment. Finally, a decree of July 27th, 1793, ordered the opening of the "Museum of the Republic," and at the same time set forth that the "marble statues, vases, and valuable pieces of furniture placed in the houses formerly known as royal, shall be transported to the Louvre, and that the sum of 100,000 francs shall be placed annually at the disposition of the Minister of the Interior to purchase at private sales such pictures and statues as it becomes the Republic not to let pass into foreign hands, and which will be placed in the Museum of the Louvre." It should not be forgotten that France was then at war with all the German Powers, and threatened by all the Powers of Europe. Crushed by military expenditure, the Republic had yet money to spare for the purchase of works of art. The French Museum, as the Louvre collection was first called, received afterwards the name of Central Museum of the Arts; and it was first opened to the public on the 8th of November, 1793. The next decree in connection with the fine arts ordered that a number of pictures and statues formerly belonging to the palace of Versailles, and which the inhabitants of Versailles were detaining as their property, should be placed in the Louvre. The old palace was still inhabited by a number of artists and their families. David had his studio there, and most of the painters who had made for themselves a tolerable reputation had apartments in the Louvre. It was reserved for Napoleon to turn them all out, and to give to the Louvre the character which it has since preserved--that of a national palace of art treasures. The galleries of the Louvre profited greatly by the Napoleonic wars. All continental Europe was laid under contribution by the victorious French armies, but especially Italy and Spain.