Old and New Paris: Its History, Its People, and Its Places, v. 1Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 1
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
The Pont-Neuf was always crowded when anything was coming off on the
neighbouring Place de Grève, where Ravaillac was tortured and torn to
pieces, and where, in the next century, like horrors were perpetrated
upon the body of Damiens, who had attacked Louis XV. with a pen-knife
and inflicted upon him a slight scratch. The Place de Grève has now lost
its old historic name, and is called the Place de l'Hôtel-de-Ville.
In the open space where Ravaillac and Damiens were subjected to such
abominable cruelty, and where so many criminals of various kinds and
classes were afterwards to be broken and beaten to death, the guillotine
was at a later date set up.
"The executioner in Paris," says Mercier (writing just before the
Revolution of 1789), "enjoys a revenue of no less than 18,000 livres
(£720). His figure is perfectly well known to the populace; he is for
them the greatest tragedian. Whenever he exhibits they crowd round his
temporary stage: our very women, even those whom rank and education
should inspire with the mildest sentiments, are not the last to share
in the horrid spectacles he provides. I have seen some of these
delicate creatures, whose fibres are so tender, so easily shaken, who
faint at the sight of a spider, look unconcerned upon the execution
of Damiens, being the last to avert their eyes from the most dreadful
punishment that ever was devised to avenge an offended monarch. The
_bourreau_, although his employment brands him with infamy, has no badge
to distinguish him from the rest of the citizens; and this is a great
mistake on the part of the Government, particularly noticeable when he
executes the dreadful commands of the law. It is not only ridiculous:
it is shocking in the extreme, to see him ascend the ladder, his head
dressed and profusely powdered; with a laced coat, silk stockings, and
a pair of as elegant pumps as ever set off the foot of the most refined
_petit-maître_. Should he not be clad in garments more suitable to the
minister of death? What is the consequence of so gross an absurdity? A
populace not overburdened with the sense of sympathy are all taken up
with admiration for the handsome clothes and person of our Breakbones.
Their attention is engrossed by the elegant behaviour and appearance of
this deputy of the King of Terrors; they have hardly a thought to bestow
upon the malefactor, and not one on his sufferings. Of course, then,
the intention of the law is frustrated. The dreadful example meant to
frighten vice from its criminal course has no effect on the mind of the
spectator, much more attentive to the point ruffles and the rich clothes
of the man whose appearance should concur in adding to the solemnity
than to the awful memento set up by a dire necessity to enforce the
practice of virtue by showing that he who lives in crime must die in
infamy. The executioner, from the stigma inherent to his profession,
and of course to himself, cannot hope to form alliances among the other
ranks of citizens.
Public-domain text, read in full here on John Shaqi.
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