Old and New Paris: Its History, Its People, and Its Places, v. 1Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 1
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
It seems strange that in France, where the drama is cultivated with
more interest and with more success than in any other country, actors
and actresses should so long have been regarded as beyond the pale of
Christianity. Happily, this is no longer the case. But the traditional
view of the French Church in regard to actors and actresses was, until
within a comparatively recent time, that they were, by the mere fact of
exercising their profession, in the position of excommunicated persons.
This is sufficiently shown not only by the case of Mlle. Clairon in
connection with the Bastille, but also by the circumstances attending
the burial of Molière in the seventeenth, of Adrienne Lecouvreur in
the eighteenth, and of Mlle. Raucourt in the nineteenth century.
Acting in _Le Malade Imaginaire_, Molière broke a blood-vessel, and
was carried home to die. He was attended in his last moments by a
priest of his acquaintance; he expired in presence of two nuns whom
he frequently entertained, and who had come to visit him on that very
day. Funeral rites were denied him, all the same, by the Archbishop
of Paris; and when Mme. Molière appealed in person to Louis XIV., the
king took offence at her audacious mode of address, and threw the whole
responsibility on the Archbishop of Paris--to whom, nevertheless, he
sent a private message. As a result of the king's interference--not a
very authoritative one--a priest was allowed to accompany Molière's body
to its otherwise unhonoured grave. The great comedy-writer was buried at
midnight in unconsecrated ground; and of course, therefore, without any
religious service.
Adrienne Lecouvreur, who, more than a century after her death, was to be
made the heroine of Scribe and Legouve's famous drama, is known to all
playgoers as the life-long friend of Marshal Saxe, whom she furnished
with money for his famous expedition to Courland. Voltaire entertained
the greatest regard for her, and was never so happy as when he had
persuaded her to undertake a part in one of his plays. Adrienne died in
Voltaire's arms, and no sooner was she dead than public opinion accused
her rival, the Duchess de Bouillon, of having poisoned her from jealousy
and hatred; for the duchess had conceived a passion for Marshal Saxe
to which that gallant warrior could not bring himself to respond. The
clergy refused to bury Adrienne, as in the previous century they had
refused to bury Molière. Her body was taken possession of by the police,
who buried it at midnight, without witnesses, on the banks of the
Seine. "In France," said Voltaire, "actresses are adored when they are
beautiful, and thrown into the gutter when they are dead."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account