Old and New Paris: Its History, Its People, and Its Places, v. 2Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 2
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
The Rue Saint-André des Arts communicates with the Rue de l’École de
Médecine by a short passage known as the Cour du Commerce, which is
associated, on more than one point, with the French Revolution. In one
of the old houses (now pulled down) on the side of the Rue de l’École de
Médecine lived Danton. At the present No. 8 still existed, until two
years ago, a reading-room which was established under the Reign of
Terror by the widow of the Girondist Brissot, who, having inherited a
large library from her husband, wished to turn it to profitable account.
In the same house was the printing office of the _Ami du Peuple_, edited
by Marat. The printing office was directed by Brune, who afterwards
became a marshal of France, and died, like the atrocious journalist, by
assassination.
Another souvenir, again of a sanguinary kind, belongs to the Cour du
Commerce. One of the appendages to the stunted houses in the middle of
the passage is a shed, where the first experiments were made with the
guillotine. “_Sic vos non vobis_” might, in Virgilian phrase, be said of
the first victims. These were sheep, which were subjected to an almost
painless death in the interest, not of themselves, while condemned to
perish by the butcher’s knife, but of men and women. Some day, let us
hope, animals also will be killed with the least possible accompaniment
of suffering.
CHAPTER XIX
THE ODÉON: THE LUXEMBURG PALACE.
The Odéon--Its History--Erection of the Present Building in 1799--Marie
de Médicis and the Luxemburg Palace--The Judicial Annals of the
Luxemburg--Trials of Fieschi and Louvel--Trial of Louis Napoleon--Trial
of the Duc de Praslin.
[Illustration: RUE DE L’ANCIENNE COMÉDIE.]
[Illustration: RUE DE L’ODÉON.]
Public-domain text, read in full here on John Shaqi.
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