Old and New Paris: Its History, Its People, and Its Places, v. 2Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 2
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
They cried out “Madam!” “Madam!” but received no answer. Nothing was to
be heard but gasps and groans. They hurried into the garden; but the
windows, both of the duchess’s bedroom and of her boudoir, were closed,
as they generally were. At one point, however, they found open the door
of a staircase leading to the antechamber which separated the duke’s
apartment from that of the duchess. The servants entered. It was quite
dark; but on lighting a lamp they found the duchess lying on the ground,
her head resting on a settee, with nothing on but a chemise, and bathed
in blood. In a few moments the alarm was given throughout the house. The
duke came out of his room. He wore a grey dressing-gown. There was a
wild expression in his eyes, and, striking his hands against the wall
and against his own head, he kept repeating, “What is it?” “What is it?”
Then, casting his eyes upon his wife, he uttered cries of despair. The
duchess was still living; but soon breathed her last without being able
to utter one word. In a short time two commissaries of police arrived,
who proceeded to a preliminary examination. The body was examined by
three doctors, when five wounds were discovered at the back of the head
and neck, and eight on the forehead and breast. The jugular vein and the
carotid artery had both been cut, and blood was still flowing from these
wounds. There were wounds, too, on both hands, evidently caused by the
edge of a sharp instrument at which the unhappy victim had clutched. The
face was marked with scratches round the mouth, indicating a struggle in
which the duke had attempted to stifle his wife’s cries. This struggle
had evidently been of the most violent kind. All the furniture had been
upset. Both the bed and the carpet were covered with blood; and the door
leading to the drawing-room was, all round the lock and the bolts,
marked by bloodstained fingers.
Who were the assassins? Traces of blood were found in the corridor
leading from the apartment of the duchess to that of the duke. A loaded
pistol, too, was picked up in the duchess’s room, with spots of blood on
the barrel, and with hairs, evidently those of the victim, sticking to
it. The duke, when questioned on the subject, said that he had himself
brought the pistol into the bedroom on hearing the duchess’s first
cries, and that the traces of blood might have been produced by him
after he had raised the body of his wife and was going back to his own
room.
Public-domain text, read in full here on John Shaqi.
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