Old and New Paris: Its History, Its People, and Its Places, v. 2Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 2
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
Devoted to study, which he preferred to the distractions of a court
where he was nevertheless an oracle, Fagon, already celebrated by the
ability with which he had supported the theory of the circulation of the
blood--at that time rejected by the Faculty--proved himself, with his
natural passion for botany, an admirable director for the Jardin. In
1693 Louis XIV. conferred upon him the title of Superintendent.
Fagon’s period of service was indeed a prosperous one for the royal
garden. With a generous nature, and gifted with that _savoir-faire_
which is only acquired by contact with men, he was happy in the choice
of his professors, and contrived, by his influence and liberality, to
give a great impulse to the whole establishment. Besides grouping around
him an illustrious body of specialists, he despatched agents to various
foreign countries to discover specimens for his collection.
After the reign of Louis XIII. the superintendence of the Jardin des
Plantes had been considered as essentially the business of one or other
of the royal physicians. In consequence a succession of men filled the
post who were total strangers to natural science, and quite unfitted to
manage such an institution. Afterwards, incompetent directors removed
from the staff of specialists all those who were worth retaining, and
showed so little respect for the purposes of the garden that they
cultivated part of it as a vineyard for their own private use. Colbert,
when he visited the garden, was so indignant at this outrageous abuse,
that he called for a pickaxe and himself commenced a work of destruction
which he took care to have carried out forthwith.
[Illustration: BUFFON.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account