Old and New Paris: Its History, Its People, and Its Places, v. 2Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 2
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
“On the wooden bench let into the wall are other persons: two women of
the lower orders, who are estimating beforehand the borrowing value of
the linen they are going to pledge, while the little daughter of one of
them is heedlessly gnawing an apple; a young girl in black, her head
bare, like that of the red woman who has just gone, but more decently
and poorly clad; an Arthur of the Reine Blanche--his hat tilted over his
ear, his hands in his pockets, and looking at the small dog playing at
his feet, rather than look at nothing; then men and women of the
inferior classes with their children, talking about the hard times and
the high rents; then placid citizens; then careworn flower-girls; then
other people more or less interesting--but always interested. The man
who pledges his mattress, the woman who pledges her linen, the
sempstress who pledges her dress, feel no doubt a sharp pang in taking
leave of objects so indispensable; but that is as nothing compared with
the poignant anguish of the man who, for food, or the woman who, to feed
her child, is obliged to part with love tokens or family jewels, as
sacred as the vases of a church: the ancestral watch which has marked so
many hours of joy and pain; the locket enclosing that lock of hair; the
bracelet of that dead mistress who will never die in the heart of him
she has left for ever; the ring given by that lover who still lives but
who is for ever dead to the woman he has deserted.
“It is the physiognomy of the borrowers that I have just been sketching,
of those wretches of all ranks, who are forced by some dire necessity,
whether accidental or normal, to come and pledge their clothes or their
jewels; to exhaust--in order not to die of hunger or to meet an overdue
debt--the resources which are still at their disposal. Yet, by the side
of these careworn, despairing faces, inscribed with poignant melancholy,
or, in some cases, resignation, are the radiant faces of those who have
come to redeem their jewels and their clothes. These are not silent like
the rest. They do not glide in, like furtive shadows amongst other
shadows. You hear them coming before you see them: they ascend the steps
with tremendous haste. It is a question of arriving before the shop is
closed, for it is Saturday, the morrow is Sunday, and they have come up
panting like a pair of forge-bellows.
Public-domain text, read in full here on John Shaqi.
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