A passion for ornamentation now took possession at once of the Court and of Paris society generally; and the candelabra and the lamps produced at the Gobelins were worthy of any palace. Most of the works produced at the Gobelins, to whatever category they belonged, were intended as presents to members of royal families and other persons of the very first distinction. Among the painters attached to the Gobelins manufactory may, in the first place, be mentioned the celebrated Lebrun in the reign of Louis XIV., and under the government of Colbert. “And as a matter of fact,” says an historian, “Lebrun gave to the Gobelins a splendour which was steadily maintained.” [Illustration: L’AVENUE DES GOBELINS.] He painted for the manufactory, simply that they might be reproduced in wool, some of his greatest pictures, including “The Battles of Alexander,” “The History of Louis XIV.,” “The Twelve Months of the Year,” “The Story of Moses,” etc. etc. Van der Meulen, Yvart, Boëls, and others may be mentioned among the painters attached permanently to the establishment. When, on the death of Lebrun, Mignard succeeded him as Director of the Gobelins, an architect, La Chapelle-Bessé, was appointed architect and builder. Under the joint direction of painter and architect a school of drawing was created at the Gobelins with Toby, Coysevox, and Sebastien Leclerc as professors. Unfortunately the reverses sustained by Louis XIV. during the last year of his reign led to the discharge of the best workmen at the Gobelins, whom it was thought impossible any longer to pay; and from this time the establishment has occupied itself only with the production of tapestry, to the neglect of medals, cameos, cabinet work, and artistic furniture generally. Specimens of the Gobelin tapestry were often given away as presents either to crowned heads or to celebrities of less eminence whom the king wished to honour with some mark of distinction. Thus there may still be seen at Windsor Castle the tapestries of “Esther” and of “Jason and Medea,” given to the King of England by Louis XIV. The King of Siam, the Emperor of Russia, the Duke of Lorraine, and the King of Prussia received similar presents. Occasionally, too, the Gobelins executed orders for men of wealth and of high position; and in every country in Europe so rare a work of art as a Gobelin tapestry gave a character to the furniture of a room, indeed of a whole house. [Illustration: THE BIÈVRE IN THE GARDENS OF THE GOBELINS.] The Revolution was but little favourable to the Gobelin manufactory. Writing on the subject in 1790, Marat said: “No one has any idea abroad of establishments maintained at the expense of the State in connection with fine arts or rather manufactures: the honour of this invention was reserved for France. Such are, among others, the manufactories of Sèvres and of the Gobelins. The latter costs annually 100,000 francs; it is difficult to say why, unless it be to enrich intriguers and rogues.”