Old and New Paris: Its History, Its People, and Its Places, v. 2Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 2
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
I. Descartes, from whom dates, in France at least, true liberty of
thought. Great writer as well as profound thinker, the author of the
“Discours sur la Méthode,” possessed every qualification for election to
the Academy. “Qui benè latuit benè vixit,” however, was his motto, and
he was allowed to remain in the obscurity he loved.
II. Pascal, author of the “Lettres Provinciales,” and of the admirable
“thoughts” which he did not even think it worth while to put together,
troubled himself as little about the Academy as did the Academy about
him.
III. Molière, the great comedy-writer, was also an actor, and for that
reason, considering the prejudices of the time, could not be admitted to
the Academy.
After Molière’s death his bust was placed in the Hall of Meeting, and
Saurin wrote this verse in his honour:
“Rien ne manque à sa gloire; il manquait à la nôtre.”[A]
[A] Nothing was wanting to his glory; he was wanting to ours.
IV. La Rochefoucauld, the famous author of the “Maxims,” would not think
of entering the Academy because, as he said, it was impossible for him
to make a speech of even a few lines; and an address on being elected,
containing a eulogium in honour of the member replaced, is expected from
each new academician.
V. The author of the Historical and Critical Dictionary was an academy
in himself. Everything, said someone who knew the work, is to be found
in Bayle; but you must know where to look for it. He worked fourteen
hours a day, and died without having time to think of the French
Academy, whence, in any case, his free unorthodox opinions would
certainly have excluded him.
VI. Regnard, the best French comedy writer after Molière, was too much
occupied with his own work and with amusing himself to dream of joining
the French Academy, where, moreover, by reason of his loose life, he had
but little chance of being elected.
VII. J. B. Rousseau, who in the days before André Chénier, Béranger,
Victor Hugo, and Alfred de Musset was justly regarded as the first lyric
poet of France, did not belong to the Academy. He left Paris, it is
true, for some scandalous verses attributed to him, but which he was
never proved to have written; and he died in exile.
VIII. Vauvenargues--always to be remembered by the finest of his many
fine thoughts, “les grandes pensées viennent du cœur”--died young,
so that the Academy may be said not to have had time to elect him.
IX. Lesage, author of “Gil Blas” and of several comedies, married the
daughter of a carpenter, which might well have told against his
election. But his exclusion from the Academy is generally attributed to
his having failed to write a tragedy.
X. The Abbé Prévost, author of “Manon Lescaut,” was not a member of the
Academy; and it is quite possible that the fact of his having written
“Manon Lescaut” may have kept him out.
Public-domain text, read in full here on John Shaqi.
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