Old and rare Scottish tartans : $b with historical introduction and descriptive noticesStewart, Donald William
History
Old and rare Scottish tartans : $b with historical introduction and descriptive notices
Stewart, Donald William
Tartans -- Scotland
The accompanying illustration reproduces a tartan depicted in a
sixteenth century painting which existed in Paris between forty and
fifty years ago, and was known as a portrait of the Countess of Lennox,
mother of Lord Darnley. Two copies of the work are extant. One owned by
the family of the late Mr Charles Elphinstone Dalrymple has been kindly
lent for the purposes of this volume. The other is in the collection of
Mr Henry Burnley Heath, Italian Consul General, London. Mr Heath writes
that he searched in vain for the original in Paris some years back;
and subsequent inquiries have also failed to trace it. It is suggested
by him that the painting may be a portrait of Queen Mary in the tartan
of the Lennox district, to which Darnley belonged. Mr Elphinstone
Dalrymple, an authority on portraiture careful as eminent, believed in
the authenticity and age of the work; but, unfortunately, his papers
contain few notes concerning it or its history. It is to be hoped the
whereabouts of this interesting portrait may still be ascertained,
especially as it is deemed the earliest coloured representation of
tartan dress.
[Illustration: XXXIX. FROM A PORTRAIT OF THE COUNTESS OF LENNOX
OF 16TH CENTURY DATE]
FROM THE CLOAK OF PRINCE CHARLES EDWARD AT FINGASK.
Of the many valuable relics of the ’45 treasured by the
Murray-Threipland family at Fingask, few possess greater interest than
the cloak of Prince Charles Edward, whence the present representation
is taken. It escaped the vandalism of the soldiery engaged in
suppressing the rising, and it has since been jealously guarded,
so that it is an unusually well-preserved example of the tartan
manufactured in the early and middle portions of last century. In the
notes on the Drummond of Perth, attention is directed to the fact that,
save for one fine line, that design is the same as this one. The reason
of the similarity is hard to find, but, as no heed has hitherto been
paid to the matter, information tending to elucidate the mystery may
yet be forthcoming.
[Illustration: XL. FROM PRINCE CHARLES EDWARD’S CLOAK
PRESERVED AT FINGASK]
FROM A PLAID WORN BY PRINCE CHARLES EDWARD AT HOLYROOD.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account