Old Chelsea: A Summer-Day's StrollMartin, Benjamin Ellis
History
Old Chelsea: A Summer-Day's Stroll
Martin, Benjamin Ellis
Chelsea (London, England) -- Description and travel
The irony of chance has placed, on the wall close beside his tomb, a
tablet which keeps alive the name of one of the Tyndale family, a
descendant of that one whose books More burnt, and whose body he would
probably have liked to burn, also! More’s two wives are buried here, as
well as others of his family; but whether his body lies here, or in a
Tower grave, no one knows.
[Picture: A Corner in Chelsea Old Church]
Three of Chelsea’s grandest ladies lie under monuments in the church.
Lady Dacre, with her husband Gregory—“their dogs at their feet”—rests
under a Gothic canopy, richly wrought with flowers; tomb and canopy all
of superb white marble. Its sumptuousness is all the more striking in
that it contrasts so strongly with the simplicity ordered by her dying
injunctions, as she wrote them on December 20, 1594, when decreeing the
establishment of her almshouses—venerable cottages still standing in
Tothill Street, Westminster, not far from the little street named for
her. In her will she says: “And I earnestly desire that I may be buried
in one tombe with my lord at Chelsey, without all earthlie pompe, but
with some privat freindes, and nott to be ripped, and towling for me, but
no ringing, after service ys done.”
Opposite where she lies, reposes in white marble of the size of life,
under a pillared arch on a black marble pedestal, another noted Chelsea
dame, Lady Jane Cheyne; and on the marble her worthy husband Charles,
transformed here into Carolus, records in sounding Latin the good she did
in her life. Notably did she benefit this church, towards the
re-building of which she gave largely.
The great Duchess of Northumberland—mother of Elizabeth’s Leicester,
grandmother of Sir Philip Sidney—was laid to rest under a magnificent
tomb; of which there now is left, to keep alive her memory, here against
the wall, only a slab beneath a noble arch, and faded gilt escutcheons
beautifully wrought.
Public-domain text, read in full here on John Shaqi.
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