On our right, along the southern shore, stretches Battersea Park, fringed with its great masses of cool foliage; where not long ago were marshes and meadows, and the barren, bleak, Battersea Fields. In those fields was fought the famous duel in 1829, between the Duke of Wellington and Lord Winchelsea. And long before that, in the reeds along that shore was hid Colonel Blood, intending to shoot Charles II. while bathing, as was the King’s custom, “in the Thames over against Chelsey; but his arm was checked by an awe of Majesty.” So, at least, Blood had the impudence to narrate, when on his trial for his audacious and almost successful attempt to steal the royal regalia from the Tower in May, 1671. Whether the King was touched by the narrative, or whether, as has been hinted, his impecunious Majesty was implicated in the plot to rob the crown; it is certain that he pardoned the daring adventurer, and gave him a yearly pension of £500. [Picture: Old Battersea Church, where Blake was married, showing the window from which Turner sketched] Beyond the Bridge, back of us, rises the square, squat tower of St. Mary’s, Battersea, builded in the worst churchwarden style; and otherwise only notable for that therein was married Blake the madman; that there Turner loved to sit at the vestry window and sketch; and that there lie the remains and stand the magnificent monument of St. John Bolingbroke, and of his second wife, niece of Madame de Maintenon: both their epitaphs written by him. Not far from the church, on the river bank next to the mill, still stands one wing of the great seventy-roomed Bolingbroke House; in which St. John was born, to which he returned from his stormy exile, there to pass his remaining days in study, and there to die. Through its many old-time chambers with the famous “sprawling Verrio’s” ceiling paintings, I will lead you into the historic cedar-room, on the river front—Bolingbroke’s favourite retreat, whose four walls, panelled with cedar from floor to ceiling, are still as redolent as when Pope—Bolingbroke’s guest—began in it his “Essay on Man,” inspired thereto by his host; whose wit, scholarship, philosophy had, during his exile, inspired also Voltaire and made him own his master. Here in this room were wont to meet Bolingbroke and Pope, Chesterfield and Swift—that brilliant quartette who hated, plotted against, and attacked Walpole. His house—Sir Robert’s—forms part of the great mass of Chelsea Hospital, dim in the distance before us; between, stretches the old Dutch front of Cheyne Walk, near at hand resolving itself into most ancient houses, with quaint windows in their sloping roofs; their red tiles and chocolate-brown bricks showing dark behind the green of the old lime-trees. The setting sun lingers lovingly on the square church tower, venerable with the mellow tints of time; and presently the moon comes up, washing out all these tints, except that of the white wall-tablets; and