An interesting memorial of Albert Durer is the old gabled house in which he lived and worked. Here he toiled with the brush and the graver's tools, and received as his guests the cultured men of the city. His life was simple and industrious, and his nature gentle and retiring. Durer had several pupils at Nuremberg, who carried on his tradition in painting and copper and wood engraving. The art treasures of the churches are very numerous. St Sebald's Church is a splendid Gothic pile, with many architectural triumphs, such as the highly decorated bride's door, with its finely carved effigies, the high pillars, Krafft's statuary and reliefs, and the crucifix by Stoss. The splendid western door of the Frauenkirche must be seen by the visitor, for it is an instructive example of Gothic work of the richest design. St Lawrence has two figures, Adam and Eve, on its chief doorway; and some Scriptural reliefs adorn the entrance. The windows are beautifully painted. There is a notable picture of "Christ and Mary" in the Imhoff Gallery. There are several other churches in Nuremberg containing works of art, and offering study for the lover of architecture and painting. The work of the craftsmen of the Middle Ages is seen everywhere in these buildings, and a detailed description would fill a volume. The Museum is in an ancient monastery, and in its numerous rooms will be found Roman antiquities, old metal work, pottery, furniture of the Middle Ages, weapons, a collection of books, some of them illustrated by Durer, and an array of paintings of the German school. A full and excellent catalogue is issued. The castle, with its stirring chronicle, is a feudal fortress dominating the plain, and forming the chief rampart of the town's defences. Walls and towers protect Nuremberg on every side, as in the ancient days of peril. The view from the towers is very remarkable, and from one of these points of outlook, one gains a long-remembered impression of the old town, with its towers and steeples, and the surrounding country, watered by the Pegnitz and clothed with forests. The fortifications were finished in the fifteenth century, and provided a strong protection to the town in time of siege. Among the buildings of this "quaint old town of art and song," as Longfellow describes it, the Rathaus must be visited. The west façade is very handsome Renaissance work by the Brothers Wolf, with three towers, and three ornate entrances. The fresco paintings within are the work of Durer and his pupils, but they are in poor preservation. There is a beautiful ceiling, by Beheim, in the council chamber. A fountain, with a statue of Apollo, by Peter Vischer, is in one of the courtyards. The god is splendidly modelled, and graceful, and the pedestal of the statue has several mythological figures.