We think of Rembrandt, in the busy Amsterdam of his day, writing to a friend: "In this great town wherein I am, there being no man, save me, who does not pursue commerce; everyone is so attentive to his own profit that I might remain here all my life unseen of any." Here, leading a life of strenuous simplicity, content with his labour, a piece of cheese and a crust, Rembrandt painted many memorable pictures. He soon became one of the most respected of Amsterdam's citizens. His pupils were many, and they paid high fees for their tuition. But Rembrandt remained almost a recluse, and seldom forsook his studio for festive company. In the Fodor Museum in Amsterdam may be seen the "Tribute Money," some portrait drawings, and "Mars and Venus in the Net." Several of Rembrandt's works are in private collections in the city. The picture gallery also contains some of the painter's famous pictures. For a glimpse of the business life of Amsterdam, we must stroll in the Kalver Straat, an interesting thoroughfare, running from the palace to the sea, and then along the harbour and the quay. The great dyke encloses a number of docks, all thronged with ships, and the fish market should be seen. Herring-curing, by the way, was the invention of a native of the Low Countries. Among the public buildings that will repay inspection, are the Town Hall, the Bourse, and two churches, the old church and the new church. The older church dates from about 1300. Its beautiful stained windows were painted at a later date. There are some tombs here of illustrious naval conquerors, and these, and the magnificent organ, in its very ornate gallery, are the chief objects of interest. The new church is scarcely "new," for it was built in 1408. This is a fine edifice, with a number of monuments, an interesting carved pulpit, and metal-work screen. Admiral De Ruyter lived here, the great adversary of Blake, and the gallant commander who held us at bay off the coast of Suffolk, and did such damage to our ships in the Medway. The pictures in the Museum are representative of the Dutch school, and the collection includes many masterpieces; the chief artists represented are Teniers, Rembrandt, Paul Potter, Gerard Douw, and Vandyk. The situation of Amsterdam, on a salt marsh, with a stratum of mud below its houses, would seem dangerous to the health of the city. It is, however, a very healthy capital, and the inhabitants do not apparently suffer from the specific diseases that are said to flourish in low, wet lands. Amsterdam leaves a picture in the mind of mediæval lanes and alleys, with curious turrets and gables, shadowing slow canals; of sunlight and vivid colour; of ships coming and going, and bustling quays, and streets with old and new houses quaintly jumbled. COLOGNE