Country life -- England; England -- Social life and customs; Gentry -- England
How completely the itinerant singer of ballads and teller of folk-tales
has disappeared--driven from the houses of the gentle, because the
young people have books now, and amuse themselves with them, and he
lingers on only in the ale-houses; such men are few and far between,
feeble old men, who can now hardly obtain a hearing for their quaint
stories, and whose minor melodies are voted intolerable by young ears,
disciplined only to appreciate music-hall inanities.
There are still a few of these men about, and as I have taken a good
deal of pains to get into their confidence, and collect from them
the remains--there exist only remains--of their stories, musical and
poetical, I am able to give an account of them which ought to interest,
for the old village bard or song-man is rapidly becoming as extinct as
the dodo and the great auk.
The village bard or song-man is the descendant of the minstrel. Now
the minstrels were put down by Act of Parliament in 1597, and were to
be dealt with by the magistrates with severity as rogues and vagabonds.
That sealed the doom of the old ballad. All such as were produced later
are tame and flat in comparison with the genuine songs of the old
times, and can at best be regarded only as modern imitations. The press
has preserved in Broadsides a good number of ballads, and _The Complete
Dancing Master_ and other collections have saved a good number of the
old tunes from being irrevocably lost. But by no means all were thus
preserved; a great many more continued to be sung by our peasantry, and
I quite believe the old men when they say, that at one time they knew
some one hundred and fifty to two hundred distinct songs and melodies;
their memories were really extraordinary. But then they could neither
read nor write, and the faculty of remembering was developed in them
to a remarkable extent. I have heard of two of these men meeting to
sing against each other for a wager. They began at sunset; one started
a ballad, sang it through, then his opponent sang one, and so on. The
object was to ascertain which knew most. The sun rose on them, and
neither had come to an end of his store, so the stakes were drawn.
These old minstrels all are in the same tale, when asked to sing,
"Lord, your honour, I haven't a sung these thirty year. Volks now don't
care to hear my songs. Most on 'em be gone right out o' my head." Yet a
good many come back; and I find that when I read over the first verse
or two of a series of ballads in any collection, that the majority are
either known to them, or suggest to them another, or a variant.
Public-domain text, read in full here on John Shaqi.
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