One, James Parsons, a very infirm man, over seventy, asthmatic and failing, has been a labourer all his life, and for the greater part of it on one farm. His father was famed through the whole country side as "The Singing Machine," he was considered to be inexhaustible. Alas! he is no more, and his old son shakes his head and professes to have but half the ability, memory, and musical faculty that were possessed by his father. He can neither read nor write. From him I have obtained some of the earliest melodies and most archaic forms of ballads. Indeed the majority of his airs are in the old church modes, and generally end on the dominant. At one time his master sent him to Lydford on the edge of Dartmoor, to look after a farm he had bought. Whilst there, Parsons went every pay-day to a little moorland tavern, where the miners met to drink, and there he invariably got his "entertainment" for his singing. "I'd been zinging there," said he, "one evening till I got a bit fresh, and I thought 'twere time for me to be off. So I stood up to go, and then one chap, he said to me, 'Got to the end o' your zongs, old man?' 'Not I,' said I, 'not by a long ways; but I reckon it be time for me to be going.' 'Looky here, Jim,' said he. 'I'll give you a quart of ale for every fresh song you sing us to-night.' Well, your honour, I sat down again, and I zinged on--I zinged sixteen fresh songs, and that chap had to pay for sixteen quarts." "Pints, surely," I said. "No, zur!" bridling up. "No, zur--not pints, good English quarts. And then--I hadn't come to the end o' my zongs, only I were that fuddled, I couldn't remember no more." "Sixteen quarts between feeling fresh and getting fuddled!" "Sixteen. Ask Voysey; he paid for'n." Now this Voysey is a man working for me, so I did ask him. He laughed and said, "Sure enough, I had to pay for sixteen quarts that evening." Another of my old singers is James Olver, a fine, hale old man, with a face fresh as a rose, and silver hair, a grand old patriarchal man, who has been all his life a tanner. He is a Cornishman, a native of St. Kewe. His father was musical, but a Methodist, and so strict that he would never allow his children to sing a ballad or any profane song in his hearing, and fondly fancied that they grew up in ignorance of such things. But the very fact that they were tabooed gave young Olver and his sister a great thirst to learn, digest, and sing them. He acquired them from itinerant ballad-singers, from miners, and from the village song-men.