Country life -- England; England -- Social life and customs; Gentry -- England
All old ballads are set to dance tunes, and derive their name from
_ballet_. Where no instruments were to be had, the dancers sang the
ballad, and so gave the time to their feet. The fact of ballad tunes
being dance tunes has been the occasion of their preservation; for
in _The Compleate Dancing Master_, a collection of dance tunes, the
first edition of which was published in 1650, and which went through
eighteen editions to 1728, a great number have been preserved as dance
tunes, with the titles of the ballads sung to them. In the old country
dances the number of performers was unlimited, but could not consist of
less than six.
What is the origin of our title for certain dances--"Country Dances"?
I venture to think it has nothing to do with the country, though
I have Chappell's weighty opinion against me. The designation was
properly given to all those counter-dances, _contre-dances_, which were
performed by the gentlemen standing on one side, and the ladies on the
other, in lines, in contra-distinction to all round and square dances.
As a general rule, foreign dances are circular or square. In Brittany
is La Boulangère, and among the Basques, La Tapageuse, which are set
in lines; but with a few exceptions, most continental dances were
differentiated from the general type of English dances by being square
or round. There were, no doubt, among our peasantry dances in a ring
about the May-pole, but this was exceptional. A writer at the beginning
of this century says,--"An English country dance differs from any other
known dance in form and construction, except _Ecossaise_ and quadrille
country dances, as most others composed of a number of persons are
either round, octagon, circular, or angular. The pastoral dances on the
stage approximate the nearest to English country dances, being formed
longways."
The song and the dance were closely associated; indeed, as already
said, the word _ballet_ is derived from "ballad," or _vice-versâ_; and
all our old dance tunes had appropriate words set to them.
Dargason, a country dance older than the Reformation, found its way
into Wales, where it was set to Welsh words; the English ballad to
which it was usually sung was--
"It was a maid of my country,
As she came by a hawthorn tree,
As full of flowers as might be seen,
She marvelled to see the tree so green.
At last she asked of this tree
How came this freshness unto thee?
And every branch so fair and clean?
I marvel that you grow so green."
Doubtless half the charm of a country dance consisted in the dancers
singing the words of the familiar ballad as they went through the
movements of the dance, the burden often occurring at a general joining
of hands and united movement.
Public-domain text, read in full here on John Shaqi.
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