Old Court Life in France, vol. 1/2Elliot, Frances Minto Dickinson
History
Old Court Life in France, vol. 1/2
Elliot, Frances Minto Dickinson
France -- Court and courtiers
No sooner has he uttered these words than the Queen, who stands facing
the Cardinal, staggers backwards. A deadly pallor overspreads her face.
She totters, tries to grasp the arm of the chair from which she has
risen, and before Richelieu, who watches her agony with eyes rather of
sorrow than of anger, can catch her, she has fallen fainting on the
floor.
At his cries the Queen’s ladies appear. He leaves her to their care, and
proceeds to the apartments of Anne of Austria, whom, through Madame de
Chevreuse, he informs of what has occurred.
Anne of Austria, on hearing that the Queen-mother was disgraced, saw in
her unfortunate mother-in-law, who had never ceased to persecute her and
to arouse the jealousy of the King, only an unhappy parent. She flew to
her, threw herself into her arms, and readily promised to employ all the
influence she possessed to mitigate the royal wrath.
CHAPTER XXXII.
LOVE AND TREASON.
Anne of Austria has left Compiègne and the royal prisoner, and is now
at Saint-Germain. The château stands upon the crest of a hill, backed by
a glorious forest that darkens the heights encircling Paris.
It is spring; the air is warm and genial, the sky mildly blue; light
clouds temper the bright sunshine that plays upon the southern façade of
the palace, and glistens among the elms which form magnificent avenues
in the surrounding park.
The King has not yet returned, and the Queen and her ladies, relieved of
his dreary presence, revel in unusual freedom. Concerts, suppers,
dances, repasts in the forest, and moonlight walks on the terrace, are
their favourite diversions. Anne of Austria has not positively forgotten
the lonely captive at Compiègne, but is too much engrossed with her own
affairs to remember more than her promise to assist her. That atmosphere
of flattery a woman loves so well and accepts as an offering exacted by
her beauty breathes around her. Monsieur Gaston, Duc d’Orléans, the
King’s only brother, is always by her side. Monsieur is gay, polished,
gallant; tall and slight like his brother, and pale-faced, but not, as
with Louis, with the pallor of disease. He has much of his mother’s
versatile nature without her violent temper. Like her he is fickle,
weak, and treacherous, incapable of any deep or stable feeling.
Monsieur talks to the Queen of Madrid, and sympathises with her
attachment to her brother, to whom Anne writes almost daily long letters
in cipher (always committed to the care of the Duchesse de Chevreuse),
notwithstanding the war between France and Spain. The chivalrous Duc de
Montmorenci, more formal and reserved than Monsieur, but equally
devoted; the Duc de Bellegarde, no longer the ideal of manly beauty dear
to the heart of poor Gabrielle d’Estrées, but grey-headed and
middle-aged, though still an ardent servant of the fair, with the
chivalric manners and soldier-like freedom of the former reign; gallant,
rough, generous Bassompierre, who was to pay so dearly by twelve years’
Public-domain text, read in full here on John Shaqi.
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